Full House was never a good show, or a particularly beloved one. Absolutely no one was asking for this. I watched the pilot out of curiosity and it was so bad and the acting so unpolished and hacky that I was embarrassed for everyone involved (basically everyone seems completely and totally out of practice). There's…

Well, you can go back to your original post where you made the key factor that no one was being deprived of the product as a result of its theft. If that's part of your syllogism, the apple analogy works perfectly. Anyway, you are obviously into stealing music and justify it by watering down your actions to the nicer…

I see - so if you could steal an apple without paying for it but no one else was going to buy that apple anyway, you aren't actually stealing from the store, you're just engaging in produce infringement. Look, it takes buckets of money to produce an album. A lot of people are involved, and there's a lot of risk…

"Stealing music" is not a business model. This isn't an argument about streaming revenues - it's about people who are justifying illegally downloading music simply because they can. It's no different than if some other item you used to have to pay for could now suddenly easily be shoplifted without almost no chance of…

That's very noble of Ian, but are musicians not entitled to a livelihood? Is expecting them to play for free really going to benefit us in the long run when no one dedicates their life to music because they can't make any money off it?

Fearless has five additional composers listed. Her self-titled has three. That doesn't suggest someone who isn't taking advantage of heavy studio involvement.

The problem with praising any massive pop star is that the chances of them having a key hand in songwriting, composing and producing are negligible, and so it seems hollow to give them too much praise for their creativity. I appreciate most pop musicians the way I would appreciate an opera singer - as having the…

I was way ahead of the curve - I hated Animal Collective from the get go. I kid, but I definitely never understood what their appeal was.

I've found that if Pitchfork rates something between a 4 and 6, there's a good chance I'll like it. There's a bunch of stuff I think is great that got 5 or lower ratings. My take is that it isn't expanding any boundaries so it's given little regard, even if it does what it does well.

I like how in your view a world filled with zombies is not dystopian.

I read a comment the other day where someone blamed this movie on social justice warriors. For real someone said that.

Yeah if there was one guy who didn't deserve to die in 2012 it was probably him.

No worse than Jaws 4 where the shark was actually seeking revenge against specific humans.

Now I'm completely fascinated that after openly baiting you to reply, you did reply. And while I'm disappointed you didn't tell me to go kill myself again, I do like you calling me Felicia even though it doesn't make a ton of sense.

What are you trying to say? That you can't tell them apart?

If only a giant frogger had confronted George at the end of the episode.

It does seem a tad derivative. Even Comedy Bang Bang has spoofed it as a sci-fi premise.

Now I'm just curious how long I can drag out this freak show. Let's find out. No, you're a gigantic pussy!

I'm starting to get the distinct feeling like I've been sucked into a conversation with a gimmick account without realizing it. No one could be this awesomely insane for real.

I wish I had looked at your comment history first as I wouldn't have even bothered responding. You are quite clearly the genuine kind of emotionally unstable - the kind that's amusing to watch on the internet but sort of unsettling to watch on the bus or in a restaurant. Anyway, in the meantime I'll be over here not…