In theory, yes, they set it up that way. In practice, it's clear they have no idea why they brought him back to begin with, so I doubt he'll return.
In theory, yes, they set it up that way. In practice, it's clear they have no idea why they brought him back to begin with, so I doubt he'll return.
Man, The Untouchables is such an awful movie.
It was not a great episode. Leaving Arya's storyline dangling, wasting time with a Daenerys scene that advances her storyline not a whit (she's literally on the road to Meereen—we don't have any reason to care about what happens until she gets there), and a bunch of throat-clearing in the Riverlands with no action.
Cultural products are not "random data"; they are artifacts of the societies from which they emerge. And the fact that the source material was written years ago doesn't mean that the show's presentation of these plot developments can't be shaped by current events.
Worth it for those who haven't played any earlier entries in the series?
That's how odds work! You make more if it's not very likely. I could see some scenario in which Tommen is killed in a fight with the Faith Militant, although I'd put it at more like 10 or 12 to 1 for this particular episode.
Also implies that if Jon had just been a bit quicker-tongued, he'd still be alive. "Hey, wait a minute! Were you guys about to stab me? Don't stab me, and that's an order."
"Mitch, was there an intentional decision to turn Arrested Development into a much worse show starting in episode 17 of season 2, or was it just a side effect of all your talented writers falling down an open manhole cover?"
At the Baxter Foundation, the young men are joined by Storm’s children, his biological son Johnny (Michael B. Jordan) and adopted daughter Susan (Rooney Mara)
The score: extremely catchy, at times displaying nearly Sondheimian lyrical virtuosity. I see 2-3 Broadway shows a year, and frankly, I generally forget all the music within a few days. Hamilton has some indelible numbers, including "Helpless," "The Room Where It Happens," and "You'll Be Back."
Because the score and cast are great.
Their ISIS series is actually very good, too. A sampling:
Two names for just one garbage son.
Dear Mr./Ms. cappadocius,
Oh, also, your link to the Daily Dot piece is broken (at least for me, running Chrome).
I doubt they use it for everything, but there are definitely a lot of word-salad bits in their pieces that bear this program's mark. As I was reading the pieces linked here, they felt extremely familiar.
I'm sorry, you're just mistaken. "Which One of My Garbage Sons Are You" is a hilarious masterpiece. If you don't see that, I'm afraid your future opinions about comedy will have to be returned unopened.
Ahh, I forgot my favorite: http://www.clickhole.com/bl…
Seriously, if you don't laugh at this: http://www.clickhole.com/ar…
Are you living under a rock, that you aren't aware that Clickhole is rapidly becoming the main thing in the Onion family? It's the most consistently funny site on the Internet.