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Captain Rebound
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Abe Lincoln, looking at camera, which is placed in the trunk of a carriage where the dead Booth is about to be carried away:
"This is my real masterpiece, nigga."

At least in this one, when the leader of the invading force flaunts his victory in a theatre only to get assassinated, it is historically accurate.

As long as she isn't allowed to discuss her view of politics (as she frequently does on Real Time), I'm totally game to watch Tarantino shoot her feet.

Here's to hoping that none of these songs scores a Zack Snyder sex scene.

More like Palanihack! Amirite?

Lulu is kind of like Idi Amin sharing power with a younger, much less talented, dictator with completely different political concepts.

Hail to the Thief is a fucking masterpiece. 
Lulu won't be.

Will Tom Six be directing the sequel?

Hey, at least Cage is gonna be in that new Charlie Kaufman movie. That's good, right?

Quantum of Solace II: Full Sequence

Jamesbonskyfall

It's a shame that the camera isn't able to capture them live very well, considering there's already a movie template showing how to do it. I haven't seen the Swell Season together, but Glen Hansard is pretty great by himself.

I don't see the hate over their newer stuff. Backspacer, Riot Act, and Pearl Jam, all have great and under-appreciated moments. The worst thing one can say about Binaural is that it's an interesting experiment.

Uh oh bro. Now where am I gonna get my disingenuous love songs?

It's really hard not to first hear Florence from some obnoxious source that makes you really want to write her off. It's really a cultural milestone that hipsters were still able to accept her. 
Florence and the Machine is the hipster equivalence of the suffrage movement.

I didn't feel shit in Atlanta. Even earthquakes pass us up.

How can we tell the difference
between Bryce Dallas Howard and Jessica Chastain in this movie?

How can Superman show off his super speed
if he's constantly in slow motion?

If only Gervais
had creative control over this project.

Haven't read the Adamson book, but there's a monster of a book called "Hello, I Must Be Going: Groucho and His Friends" that shows just how popular Groucho became by the 1970's. It's fascinating to hear Groucho's thoughts on life and comedy during the new hollywood.