avclub-782066c88e9c574d6085f3ddfc7032e4--disqus
Bubbles Wrap
avclub-782066c88e9c574d6085f3ddfc7032e4--disqus

Yeah, fuck this. I had to click three different times to find this shitty, narrow-ass comment section.

Giving Mickey an Actual sex addiction does make things a little more uncomfortable though.

I can never tell if the show (and by extension the writers, which includes Rust) realizes that Paul Rust looks like the Six Flags Guy in a bad wig, and that's part of the Mickey/Guy dynamic—that she's so far out of his league it's almost impossible to believe—or if we're supposed to just accept their relationship as

Oh, so this changed too?

That's a fun joke but to answer to your question: If you have mental health issues, they don't care about you, and you're fucked.

It's not complicated. Every thought he has is a slurry combination of Randian tax cuts; misplaced, Bible-centric moral authority; and pure, distilled hate for the disadvantaged.

No, no, no. This is a totally unrelated annoying change.

Literally what is your point?

Yes this show about Russian spies influencing the American state under the spectre of Cold War politics has zero applicability to our present-day political situation.

I wonder if Philip's arrest would be more dramatically interesting.

Give me an Americans murder to "Dancing in the Dark" and I'll love this show forever. (I already do, but yeah.)

What's your point?

Keri Russell unequivocally does not look plain looking in all of those wigs.

Born in the USA dropped in 1984. Just sayin'.

Ah, you've bested me with this one, hyper-specific example from four years ago. I now agree with you that hate speech is great.

IMO we should actually encourage hate speech. Hate violence, too.

You're right, it used to be.

The distinction is essentially meaningless at such an extreme but thanks for the reminder.

I think we're going with After the Fall, not "since the fall" just FYI.

Could it be that "leftists" are able to appreciate any extreme dystopia as undesirable, regardless of the ideological underpinning of its dystopian conceit?