You can see the panic in his eyes. The guy has no idea what to do, he triple-checks the envelope, looks off-stage for help, tries to show Dunaway what the problem is… and she shouts out the title on the card.
You can see the panic in his eyes. The guy has no idea what to do, he triple-checks the envelope, looks off-stage for help, tries to show Dunaway what the problem is… and she shouts out the title on the card.
Yeah to be honest they were both pretty terrific movies.
Blame Leo.
That was pretty much the ending to La La Land, actually.
You could have just watched a great movie instead of posting this, too.
Fincher used tilt-shift in the regatta sequence for Social Network.
It can be two things.
Noah Hawley is a scientologist, unfortunately, so that would make sense.
OK, this episode had my first "Get to the Fireworks Factory already" moment.
That's what they do currently.
I don't think that was ever true, to be honest.
Listen to "Home" and "This Must Be The Place" and then log off.
LCD Soundsystem are basically Talking Heads-redux, except they sold their guitars and bought turntables.
Huh?
Y'know there are some good songs on that record, in retrospect.
Sure, A Rush of Blood To The Head was maudlin piano whining, but at least it was good maudlin piano whining.
It was funny to see the how recognizably "Seb" the decor in the bar was (it even had the stool!), while the only recognizable elements in Mia's future were lifted from the unnamed starlet at the coffee shop.
I'm guessing Me circa 2001 would've been ok with a shitty Kazaa rip of "Pull/Pulk" if she really wanted to.
Fuck, if any band wrote "She's a Jar" that'd be enough to call it a great career.
*Pushes up glasses*