I thought Edgerton gave a remarkably restrained performance. He really toed the line between the naive "I just love my wife" -ness of the character and the really quiet strength and dignity he would have needed to persevere in that marriage.

Seems a bit like Keith to me.

Loving has two great lead performances and I was *ahem* loving how they elided all the courtroom stuff in favour of spending time with Edgerton and Negga until *SPOILERS* it ended with a weird courtroom montage starring Ruxin!

It is honestly so exhausting keeping track of whose work we are allowed to enjoy.

Or the super-white Oscars three years ago. Or the super-white Oscars four years ago! Or the super-white Os— Well, you get the idea.

I don't think "Hollywood" had much of hand in getting Moonlight made.

Was that related to Sylvester? I thought Theresa read some random the riot act and that was that.

Cool, man.

Is that not a valid response?

I believe the implication this week was that Arnold did have a child named Charlie who died, which is why Ford used it as Bernard's cornerstone memory.

Mr Robot felt like getting cornered at a party by some woke dude who'd just read some Interesting Stuff on the internet.

I don't want to armchair writers room this too much…

If the best possible scenario is "The most honest, character-driven moment on a show that really lacks for them was actually a bald-faced lie to trick you for next season…"

Surely you'd consider butchering twenty-odd robots, dismembering them and tearing their limbs off like so many flies, to be "maniacal".

Imagine having to design your dead business partner's dick.

They gave her a bunch of shitty Thrones episodes for some reason. Best TV director in the business? Ehhh, here, take "Second Sons".

Oh fuck off.

Maybe Westworld is on Tralfamadore.

I guess I think you're wrong in saying that showing a picture on screen is "show". It's much closer to "tell".

It took them like three years to make this season so I wouldn't hold my breath.