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No. Unless you're planning on knocking Tom Hooper out of the director's chair and putting in somebody who knows how to properly direct a musical like Les Miserables.

You know, I've long ago accepted that whether or not MJ did anything one way or another, he still made a ton of fantastic music, and thus I can't hate him in the same way. Yes, he may have done reprehensible things, but he clearly showed a lot of regret and his extreme mental instability (likely stemming from his

Counterbalanced by the fact that song 'Cups' she has out right now is fucking annoying as hell.

Well, to be fair, in most of these cases, he's not exactly wrong.

I'm not the biggest fan of Sara Bareilles' newest single 'Brave' (when I reviewed the album, I considered it her weakest), but Katy Perry's heavier instrumental is nice. Yeah, it's a blatant rip-off, but I honestly wish Sara Bareilles was the one who used the heavier backbeat instead of Miss Auto-tune herself.

From the concept alone, it sounds like Ayreon's 'Human Equation' but with less Devin Townsend and crippling depression.

The hilarious thing is that Olbermann's actually returned to his roots with sportscasting, which, as much as I did enjoy his occasionally well-written Special Comments, is probably a better fit for him.

Lol, I'll keep that in mind. Probably won't do it again - it was bloody uncomfortable.

Hmmm….

Wow… okay, it's a little insane how much I diametrically disagree with Zaleski here, and not just because I think their attempts to call back to a more acoustic direction are bland and somewhat tired retreads of earlier material, but I think they work surprisingly well in a modern pop environment. One of the biggest

And believe it or not, I think he's wrong here. As much as I like the guy, where this song might have undertones of 'rapiness' if taken out of context, but with lines like 'The way you grab me / must wanna get nasty' make it clear that this girl does indeed want to have sex with him. When taken together, it is

@avclub-ce6c92303f38d297e263c7180f03d402:disqus - oh, completely agree with that. Off the top of my head and only considering B- or C-listers, I can think of Taio Cruz, Jay Sean, Trey Songz, Colby O'Donis, Mario, and even that talentless little pissant Jason Derulo. If I can think of a half-dozen artists in this

@avclub-ce6c92303f38d297e263c7180f03d402:disqus - oh, completely agree with that. Off the top of my head and only considering B- or C-listers, I can think of Taio Cruz, Jay Sean, Trey Songz, Colby O'Donis, Mario, and even that talentless little pissant Jason Derulo. If I can think of a half-dozen artists in this

You know, if Chris Brown was just a horrible human being outside of his music, I could understand why people would like his material. Bad people can sometimes make good music.

You know, if Chris Brown was just a horrible human being outside of his music, I could understand why people would like his material. Bad people can sometimes make good music.

Having been a fan of theirs for several years, I can say their early 1993 album 'Anarchy' is far better than the album 'Tubthumper', but they've been consistently awesome all the way to the musical they made this year (it's called 'Big Society!' and it's as political and gratuitously fun as you'd expect from a

Having been a fan of theirs for several years, I can say their early 1993 album 'Anarchy' is far better than the album 'Tubthumper', but they've been consistently awesome all the way to the musical they made this year (it's called 'Big Society!' and it's as political and gratuitously fun as you'd expect from a

To be fair, the artist does shape the material, but I get your point of view.

To be fair, the artist does shape the material, but I get your point of view.