Even for the Simpsons, the push to get everything back to normal by the end felt a little rushed. Also was expecting Lisa's subplot to not get abruptly dropped.

Sturgill Simpson is very "what the fuck exactly is this?" music. His cover of "In Bloom", for example.

The challenge of doing an even worse ending is too much for them.

I could never get past "Wait . . . why is the museum a crime lab? That's not really a thing."

Did you know Elliot? Elliot seemed like a cool guy.

Does Korean SNL have an American character obsessed with chickens?

Glen Matlock is also a great musician and came up with most of the music on the album (although the songs he's not credited on are decent as well).

I don't think it was stolen, at least not by him. They had the same manager and I believe he just transferred as much equipment as possible to keep costs down.

Big fan here and yeah, you're absolutely right. Beyond the use of some demonic chord structures (which were actually banned several centuries back), there's almost nothing satanic about the music. The only song that can be interpretted as pro Satan is "NIB," and even in that case it's a pretty big stretch. Hell,…

The process that gave us "Spoonman".

That's a weird consistency.

They were huge in Belgium.

Hogan Family.

They tease it every three years or so. Don't if this is going to be the one that sticks.

I'm not a hardcore fan, but their new album was pretty good and it's a pretty fun small club concert.

I thought the same thing, It's not like it would affected a single joke (let alone the storyline) to keep the consistency.

I'm not familiar with the story mentioned in the review, but aren't Metallica from San Francisco?

If the rest of the book is as imaginative as the title, it's a must-read!

I Ctrl-F-ed the page and so far you're the only person who shared my love of "Stay Gold." "Can We Just Not Talk About Last Night" is a great song (as was the whole album).

The lack of Iggy Pop's "Post Pop Depression" bothers me.