He was on about every other show the first half-season after he left, which is probably about the same ratio as his last season on it.

He did a few Law and Orders too in more dramatic roles.

I like to think that he were alive he wouldn't need the gig.

He did a stand-up show for students when I was at university and maybe a quarter of it wasn't connected to impressions. He's very southern, but it doesn't really come across in his normal voice, which isn't particularly distinctive.

Boneless. I like to coat a pan with olive oil and cook on a medium heat. Sometimes I do a light flour dusting, but usually I don't bother. I usually use this Kicken Chicken spice combination or a honey barbecue sauce. Or sometimes I'll just bake it for a half-hour or so (it's less dry than the stovetop method) but…

But Adam is clearly the only interesting one.

I think Dan Aykroyd's been expanding enough.

Thawing a chicken breast right now. Want to try something new in the ways of preparation, but do so in a way that only uses stuff already in my kitchen. It's not fully stocked, but I have a good assortment of spices and sauces.

What's troubling about it? It's not exactly anything new. Just the occasional ramp-up of what's essentially been a decades-long war. With all of the new conflicts, it's nice looking out and seeing the old ones are still there. Like a pair of old shoes. No new names or organizations or geography to learn.

First hug.

I only saw the pilot of the original and that was the biggest problem I had. Why is the evidence tech doing the interrogation? In reality, he would be nowhere near that room.

Any Cormac McCarthy novel by any alt-country band.

Doesn't that require acknowledging the Dandy Warhols post-2000?

The wikipedia page on nu-metal lists such examples as Slayer and Jane's Addiction as nu-metal bands. Like all labels, it's pretty meaningless.

I guessed the final right, but there's no way I would have bet any kind of real money on it (although I know that's not how it works).

Are you thinking of someone else? She's the woman in the photo over the article.

I listening to that in my head (assuming you were doing the bassline) and it sounds damn good. You earned it!

It represents a big question about music: should artists be viewed better for taking musical risks that fail, or for putting out "safer" material that while relatively weak is still better musically than their failed risks?

I'm pretty sure the vast majority of people fit that description.

I remotely know what you're talking about and would like to not.