I have some bad news for you about the very concept of "family."

Sounds right; or a "place," if that's an actual thing and not just something I learned about in an inaccurate video game. Still, the larger question is why he didn't just bet all of his money on the "win."

I'd call your comment a straw-man argument, but you know, sticks and stones.

I'm not willing to do the work of refreshing my recollection, but I vaguely remember many earlier Simpsons episodes introducing their A and B plots in much more organic ways, with much less ADHD-addled cutting-away. There was a point, much later, where they seemed to just throw up their hands and adopt the Family Guy…

The scheme also involved everybody else shutting the fuck up about how awesome the horse actually was, so that the payout stayed high. The close-ups of the various screens showed him making ~26:1 on some form of bet, and ~12:1 on some other kind of bet, and I believe both involved his horse winning that particular…

In addition to everything you listed, J.P., I'd add the electric scene that Saul had with the judge to get the FISA warrant. He's hyper-aware of the pervasive rot of lawbreaking and hypocrisy within the U.S. government.

That is a terrifying screencap of Robyn. She looks like a hostage trying to secretly communicate to the outside world that she is being held against her will, whilst not doing anything to piss off the captor that's right next to her with a gun!

While I agree with the spirit of your post - that OUaT sucks - I'm not sure "I know something you don't know" is a fair description of what they've done.

If nobody really cared about seeing them, then Halle Berry had one of the best agents in history. As I recall, that movie was her boob-nudity payday; one might say she made titloads of money.

Personally I thought it was Too Hot.

Since your idea is at least close to suggesting that the main actor be replaced somehow, I'm going to back it.

Somebody, once upon a time (sorry, sorry,) thought that Juliette was a powerful symbol of the life that the protagonist might have to sacrifice in order to fulfill his destiny as a Grimm.

I'm going to blow your mind, Space Pope, and go watch TV. Then, just as you're beginning to reassemble the nigh-innumerable pieces of your shattered psyche, I'm going to listen to the radio.

During the original take, I was curious as to why he didn't double-mic himself. Still, I laud his unique combination of creativity and not giving a fuck; it's given me so much.

No, disastrously.

"…Just kidding about the classical though."

It takes two actors doing solid work to make a relationship believable. While I don't think the actor playing Juliette is killing it by any stretch, it's not primarily her fault. Her tango partner is a black hole, after all, and as a character she's a stray thread from last year's sweater dangling from the…

This episode was solid, although I did have one major gripe: Orson from Arson's last line to Nick seemed very poorly edited; although the line itself was too on-the-nose, the too-quick cut away from him (and indeed, from that entire location) was nevertheless quite jarring. Had that line and that scene been written…

Mitchell's character did notice that very thing, and mentioned it over the phone to everybody's favorite black hole of charisma.

The problem is that they've already established a genetic legacy of Grimms who've been writing about their adventures and tribulations (and enemies) for over a century.