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Azrael the Cat
avclub-6ba88e43a555bbf6c47a5781b749c77c--disqus

Occam's razor insists, INSISTS I TELL YOU, that there's 3 hours of cut footage of a Hemsworth brother kicking ass and taking names in that reboot. It's the only logical explanation.

After last episode though, I'm wondering whether William is going to end up totally disillusioned with Dolores 'sentience' (as at the moment, she doesn't appear to really be 'there' yet, but rather seems to be acting on old loops), which would bring the MiB thing back into play.

Also fits the girl's comment to MiB: 'the Maze is not for you'. He's taken the concept too literally:-)

In fairness, she's not exactly a psychopath. One consistent trait she's shown is disgust at the casual manner in which the park discards/kills sentient beings (not the 'in-park stories' - she's fine with that sort of killing once she realises it isn't real, but the permanent 'retiring' of hosts like Clementine).

Agree with the Hemsworth Bro. His role has been far too small so far for them not to have something significant to do later. The show has been very willing to take its time introducing a large ensemble of characters (William and Logan in ep 2, the 2 techies around ep4/5, the Board member only 2 episodes ago), and

I notice that a lot of people are citing the apparent rape of Dolores as a reason why William probably isn't the MiB. From re-watching the first 3 episodes last night, it seemed pretty clear in retrospect that he DIDN'T rape her, i.e. it was a misdirect both for the viewer, and for the 'in-show viewers', i.e. the park

I sympathise with a lot of the comments here, but it's also worth taking a step back and partitioning off how much of what makes a person annoying is down to that person herself, and how much is down to irritatingly sycophantic media earlier in that person's career.

Might want to bear in mind that Marvel is a global company, and many of us who aren't Americans don't have quite the same perspective.

Re multiple models/timelines: I thought we'd all decided that William's storyline is set 30 years before the rest of the events. Ie that his storyline is the 'incident' 30 years ago that the others keep referring to, and the one where Dolores first becomes self-aware (with Bernard examining her 30 years later to see

I realise that this is a very 'Aussie' thing to say….but wow, your wasps are really tiny. Lots of them too - if you had that many wasps flying around a home window over here, and you couldn't locate + burn the nest (have to do the kerosene + burn or the lavae just renew the cycle), you'd be calling the local council

I'm not sure that I'd call it a 'face turn' by Palmer necessarily. From the very start of season 2, it was clear that Palmer works MUCH better as a Lex Luthor style schemer who can hold his own against the Master (even if he isn't quite a match for him), and already has contingencies in place, than he does as a

Just to clarify: when a white American film-maker, or white American-dominated 'trash pop' tv series/writer, is as consistently popular as Perry, he/she invariably receives a cultural re-examination. The critics who dismissed the work make a genuine effort to discover the virtues that led to so many people enjoying

Never seen any of Tyler Perry's stuff, and I don't intend to (not from the US, so I've about the same level of interest in conflicts between 'X Americans' and 'Y Americans' as you guys do about, well, the internal cultural conflicts of anywhere that isn't the US). But isn't he one of the most popular film makers

Yeah, but noticeably those films you mention all have a point to their final twist other than 'haha, got ya!' (haven't seen Owl Creek, so really just talking about Brazil and Jacob's Ladder).

Wow. I mean he WAS a good villain, and Bloodlines is still probably my favourite game, but in that way? Wow.

such a cultural cliche. It's almost a template now.

Wasn't that the plot of the ACTUAL Predator 2? Or was it Detroit?

All of these pale in comparison to Sommerby's Apple Cider, when served on tap (the bottled versions never quite get it right).

I know that having a 'secret 6' (Catman era ) is way too much to argue for, and the Suicide Squad concept is much more marketable, but they could have resolved much of the difficulties with suicide squad by merging the concepts and borrowing liberally from s6's plot.

Better than the Maltese Falcon. It looks cute, but it's yappy and foul-tempered.