avclub-68e2d80b9b9b5fb87b80f88eff74eece--disqus
Troll-LookingFucker
avclub-68e2d80b9b9b5fb87b80f88eff74eece--disqus

Would have been great if the song 'Animal Farm' by the Kinks played over the closing credits.  An anachronism I know, but who cares?

Peggy riding the subway on a visit to her mother, set to 'No Sleep Till Brooklyn?'

karma's a bitch!

Peggy knows Don won't fire her, due to his confidence in her copy writing abilities.

Annie Edison is a whiny, run-of-the-mill teenage white girl of the present day, while Trudy Campbell is a young Martha Stewart.

Help!

It would be great to see what they could do with 'Leopard Skin Pill-Box Hat'.

I guess we can thank the estate of Michael Jackson for that.

I could totally see Roger Sterling beating a Geisha to death, giving his openly hostile feelings toward the Japanese.

Head of female casting?

The music achievements of Jack White come under the umbrella of 'stuff white people like', but as the last sentence of this interview attests, Jack White is not like the white people who like his stuff.

…come to think of it, it would be a concentration camp-set 'Inglourious Basteurds'-type affair without the film nerd schtick, and copious amount of C4 and napalm, naturally.

Sugarland Express?

Does that make 'Pearl Habor' the Michael Bay equivalent of '1941'?  I would be interested to see Michael Bay's take on Schindler's List, as disturbing and jingoistic as it would likely be….

I envy your ignorance.

Michael Bay could get more 'bang for his buck' by filming the same explosion from different angles, much like Antonioni did in that movie he made about hippies.

If you could somehow convince Matthew Broderick to euthanise her with a car, something he has previously done with impunity.

*Obligatory "SJP has the face of a horse" joke

Perhaps, like Gretchen Mol, she will find redemption in this era of high-quality cable television.