Yeah, Gallagher isn't so much bitter as grumpy (subtle distinction, I grant you).

Yeah, I met Prowse at a sci-fi convention. He's got to be the most bitter man in show business. Also, for a laugh, check out his voice in the suit: http://www.youtube.com/watc…

True, but that's after it's been established (and he's complained plenty) that he's been away from home for a long time. Odysseus got 20 years, just sayin.

Faces no, but we do see them both standing up during the argument with Mal, when Cobb leaves them, and when Cobb comes home, so we see heights and hair length (both of which could be clues) besides lighting, position, and clothing.

Danny, you took the words right out of my mouth.
And, might I add, Oingo Boingo had a whole album entitled Dark At The End Of The Tunnel.

well shit
ok, I need to watch this again

OK, Blah Blah Blah, you and Ed together have redeemed the film for me (not to mentioned reminded me again why I love the AVC boards).

Ed, you may have changed my mind.
I was sure those kids hadn't aged, but you're right.
Now I think I want to see it again (at least the end) to compare the clothing.

If this film fails to make its money back in the domestic box office (which seems highly likely), it'll be the fourth film Bruckheimer produced film in a row to do so.

The kiss was what made me want more of Arthur.
He DID fuck up the background check, though.

@ Ludology, some interesting stuff in your Jungian interpretation… I'm going to have to mull it over for a bit.

It weebles and it wobbles, but it don't fall down.

Thanks, Scurrilous; appreciate it.

Cobb's kids sounding so young on the phone is another reason I think the entire movie might be part of Cobb's dream. They are clearly too young to understand that their mother is dead. That's not a state that really lasts years and years, yet they seem to be at least 4 or so in the memories, and we get the impression…

Well, I think Levitt would normally have done all of that, but the team had to be split up differently in three dreams, and Hardy - as the forger - was needed further in. As to Hardy's shooting in the movie. Well, no room for dead weight. I'm not sure he was so much better at the hardass stuff, just smarter about…

What makes you think his totem was about to fall? It fell way earlier before.
No way was that not a dream at the end.
Do his kids only have one set of clothes and never age?

@ Ms. Adequate, I care whose dream it was, but, for the purposes of where the main character is at the end, it doesn't really matter. Whether it was all his dream or none of it was his dream until he feel into limbo, he's still stuck in limbo at the end. I was very into the movie, though. If I hadn't been very much…

Well, he jerry-rigged the improvised second kick in the hotel that allowed everybody to, you know, live.

Relax, Yummish, I'm (mostly) kidding there. Though it would be interesting if she really was studying art or film and wanted to make models for special effects, no?

Shit, you're right, padrock. She built that little model of the snow fortress, didn't she?
I still say architecture doesn't entirely make sense with dream building. I suppose she could be into city-planning though. Maybe I'm being too picky about this.