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That's totally fair—the quality of animation can push me so far in one direction or the other.  Avatar:
The Last Airbender, for example, could be my favorite show of all time
if the animation wasn't so monotonous and boring.  I'll say that
Wreck-it-Ralph's animation is at least better than any of the
Dreamworks' CGI

It's one of the strengths of this movie that it isn't just one world populated with characters from unseen others but rather three distinct worlds with their respective characters AND animation styles—classic, modern and…sugary (there's really only two brief scenes early on with extraneous characters). As a result, if

It's one of the strengths of this movie that it isn't just one world populated with characters from unseen others but rather three distinct worlds with their respective characters AND animation styles—classic, modern and…sugary (there's really only two brief scenes early on with extraneous characters). As a result, if

I liked Kung Fu Panda fine (in the way that it successfully distracted me without boring me—same goes for How to Train Your Dragon), but Wreck-it-Ralph actually engaged me, often on an emotional level.  I can't think of a single Dreamworks movie that's had an effect like that on me since the (underrated) Prince of

I liked Kung Fu Panda fine (in the way that it successfully distracted me without boring me—same goes for How to Train Your Dragon), but Wreck-it-Ralph actually engaged me, often on an emotional level.  I can't think of a single Dreamworks movie that's had an effect like that on me since the (underrated) Prince of

Considering Wreck-it-Ralph is three times better than any non-Pixar CG-animated flick, I think it warrants the curved "A."  Still, it's only about as good as Brave (I'll give the edge to Brave for it's mother-daughter relationship, but WiR is more consistent throughout).

Considering Wreck-it-Ralph is three times better than any non-Pixar CG-animated flick, I think it warrants the curved "A."  Still, it's only about as good as Brave (I'll give the edge to Brave for it's mother-daughter relationship, but WiR is more consistent throughout).

It's been a while since I last watched, but do Scully and Mulder somehow communicate to each other through a shared hallucination?  I'm thinking of the scene where Mulder shoots Skinner—do they both wake up afterwards or just Mulder (who then wakes up Scully)?

It's been a while since I last watched, but do Scully and Mulder somehow communicate to each other through a shared hallucination?  I'm thinking of the scene where Mulder shoots Skinner—do they both wake up afterwards or just Mulder (who then wakes up Scully)?

Lemme know if I'm accurately following the arc of Turbo/King Candy:
Turbo in racing game 1—>takes over racing game 2—>takes over Sugar Rush—>King Candy—>wipes Sugar Rush memory & creates Vanellope's glitch—>Vanellope passes on glitch to Turbo(?)—>consumed by Cy-Bug—>Turbo Cy-Bug hybrid—>death

Lemme know if I'm accurately following the arc of Turbo/King Candy:
Turbo in racing game 1—>takes over racing game 2—>takes over Sugar Rush—>King Candy—>wipes Sugar Rush memory & creates Vanellope's glitch—>Vanellope passes on glitch to Turbo(?)—>consumed by Cy-Bug—>Turbo Cy-Bug hybrid—>death

ugh, you just reminded me of a forgotten addiction and it's back!

ugh, you just reminded me of a forgotten addiction and it's back!

Best choreographed action scene EVAR

Best choreographed action scene EVAR

Thanks!

Thanks!

What about great Marlene Dietrich songs?