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And Bill Pullman every time I go to the movies.

In terms of cultural relevance?

He is very loud about being a victim.

Not really comic news but I was glad Voltron: Legendary Defender got reupped by Netflix. I just want more things from Dos Santos and Montgomery.

I mean, I like Cho's art on the whole going all the way back to Liberty Meadows but he does the odd little things every so often that just feel pointless but it almost seems like he feels it necessary to stick it to someone in the most juvenile way possible. Because it's never a particular big thing with anything he

I'm fairly certain Cassandra was "outed" in the first volume because it generally revolved around Luci being a horrible person. But I think it more has to do with how characters are generally depicted artistically. PowerGirl pointed out some "indicators" (and I kind of loathe to use that in this context but I assume

It's funny, my LCS just did a book club for Bombshells (and I have a lot of weird minor quibbles with the book) but one thing we got into that always bugs me when people write fiction about Nazis during WWII is the idea of them always using super science or supernatural means to win the war (while the Allies basically

Batman/Planetary: Night on Earth overtly makes the case as to why I think Planetary is one of most essential superhero comics ever. During the 27 issues of the main series, Ellis puts so much thought into the types of stories adventure comics can tell outside of superheroes but it's told using surrogates for the more

Did they ever adapt the third book. I have the first two but I don't remember the third ever coming out. Also, Dodson's art on whichever one he did was really strong and I can't remember the artist on the other book but I really dug his looser style.

Waid's Legion worked in large part because it had a really strong core idea to the book and Kitson's art was generally great. It kind lost steam when Supergirl joined the cast and young activists angle was obscured a good bit. I don't really remember much about his JLA run outside of some reall gorgeous Hitch art

I think another problem (keep in mind I have watched none of the shows being discussed in the article) is that these "topical" episodes sort of feel like a distraction for the show they're in or at least the characters, which has a kernel of truth for a lot of people, but feels false to the people and communities

This is a good point. When people bring up "a person being anonymous" as the reason they spew racism, homophobia, xenophobia, whatever hate, that never felt entirely accurate to me because I still hear that same shit from people I interact with in person. It's always felt more like, the person saying it knows

The bigger problem I had with Hayes' response is how he kind of justified his silence afterward under the cloak of professionalism. I mean, people eventually checked King but it is damaging when he's given a platform like that and not even remotely challenged on his ahistorical bullshit.

Nightcrawler likes to call that a "Wednesday."

Speeding up the extinction of humankind. HUZZAH!

Battlebots was canceled.

The police are apparently working on that.

I appreciate the support.

I think that also may have to do with Dan Slott being kind of a despicable person (at least in terms of MJ dying).

It was the brown leather vest and the ponytail.