Somehow you're doing this wrong.

It was playing enough. The theater I go to most Thursdays to see new movies usually only have about 4 showings and 6 for potentially more popular films. BvS had, I think, 16 showings. They might be setting money records but I'd like to know how many screens it was on.

He certainly doesn't use them in any other way as far as I can tell.

You sure as hell see his batarangs a lot…but they're used more like the calling card of a cat burglar.

Yeah, I picked up on the Parademons. Like there's 20 years of Batman history here that Snyder and Goyer explicitly tells us happened but do absolutely nothing to fill in. The scripting in this movie is so goddamn frustrating.

Haha…yes…true (*wink*).

Warner Bros always seems to give their creators more freedom with their genre films whereas Marvel is very much interested in their brand and specific type of studio system. In a perfect world, Marvel would be the solid popcorn action film (which they generally are) and DC would be the auteur driven films where…

She's presumably the only person employed as a journalist n their universe now that ace sports reporter Clark Kent died.

That was in Mark Millar's original draft.

"Bosh, flimshaw," replies David Goyer.

*every Superman pastiche Marvel's tried over the course of their history that people have always been lukewarm about.

What's also a bit frustrating is that they keep the pretense of a secret identity at all considering that everyone either knows Clark is Supernan or has zero trouble discovering this with a minimal amount of effort (for fucks sake, the US military just shows up at Martha's door at the end of Man of Steel).

And was that because of his access to the Kryptonian ship? God, I can fill in the blanks here because I know what they're referring to but Snyder and Goyer have to help out a little here.

I mean, was it supposed to foreshadow or imply that Luthor was going to blow the shit out of everyone? Also, why is it really not even a big deal afterward?

Too bad Robert Altman is dead, he'd direct the shit out of that movie.

Which is all his way of dealing with his alcoholism which in turn is how he deals with his abandonment issues.

Throw in Majestic, the High, and Icon while we're at it.

Does this mean Kobe is going to demand his right to carry his own DC superhero movie afterward?

My guess: JL forms, fights some prelim Apokolips dudes, Darkseid shows up, enslaves mankind, and then Superman comes back. Part II is a two and half hour fight scene where they cause more damage than Darkseid ever could have on his own. Feel free to add weirdo macguffin shenanigans wherever you see fit.

"Who needs story development, let's just cram more shit in there."