But that's what would make the death so fantastic. He's sensational when it comes to playing people against one another to suit himself, but for as intelligent and as cunning as Littlefinger is, he's been dealing with people who have some semblance of reason. Imagine if he came to Lysa and her kid and tried to do the…

That'd be awesome. All of his scheming to get to the top, and he gets thrown down the hole just because the crazy lady's kid says so.

I hope so (to keep Gendry alive), but I feel like Stannis may go straight to seeing Gendry as "Baratheon blood=smoke babies to defeat enemies"

I assume that ship was Baylish's (I don't know how to spell it. Carcetti's), and she'd just screwed herself out of a way to be free of Joffrey.

Well Gendry (the bastard son of Robert Baratheon, having the same blood as Stannis) being bought by Melisandre can't be a coincidence. As for the different colored eyes for Arya, doesn't that seem like a nod to Jaquen and his ability to change faces? Then again, I may just be hoping for Syrio Forel's improbable return.

This show needs its own phrase like "Fuck You, The Killing", to convey the annoyance and sigh of comical hate that accompanies every decision the characters and writers make.

House In Virginia? It's not a slur, you don't need to create a nice way to say it.

For whatever reason, the situation this article brings up in my mind is one from Studio 60. DL Hughley, lamenting the lack of black writers on the show's staff, takes Matthew Perry to a standup show to see a comic he'd heard good things about. The comic is horrible and offensive, his humor derivative and stupid.…

And the award for "Worst Decision Ever Made" goes to….Lee Paxton! For allowing the man whose fiancee he'd just had arrested, and who'd already been shown what happens when you threaten Boyd Crowder, to roam free rather than be arrested, thinking he'd learned his lesson.

I want this show to be good, and it keeps setting up
potential moments of brilliant character development but…goddamnit, The
Following.

If any episode of television I've seen in recent years truly deserved an A+, this was it.

I think this actually signals the beginning of the “Roderick
as the true villain” plot. He’s able to screw with people just as well as Joe
is, as evidenced by the final scene. He’s smart, he’s connected to followers
Joe never even knew. Joe even expresses (what I thought seemed like) sincere
remorse at the death of…

Way to go, Walking Dead. Spend an hour trying to make us worry about the possible death of a character we all want to die anyway.

Optimistically, this could be a turning point…

I did like the condescending look on the Governor's face when he said that. "Yes, Milton, it would be by definition. I was just being evil. Jesus Christ, get with the fucking program"

I got really excited when Rick mentioned something about the governor being  "the town drunk" due to how close Rick's town was to the prison and how there was a possibility that the two knew one another before everything went to shit. Then nothing came of it and I realized I was an idiot.

Well, given what the kids had gone through that day, not to mention what (they believe) happened to their parents, I doubt those questions would be important to them at the moment.

I could see a scenario where Elizabeth and Philip go through something that reaffirms his faith in the mission and dismisses the whole "I belong" feeling he has, only to have Stan discover that Elizabeth is a kgb operative and, using the threat of the children, have her work against a more determined Philip, who he…