at LEAST get them out of Papyrus font.  I cringe away every time!

yea I think Jeremy Jordan's Jimmy trumped Debra Messing's kid this season as "worst character on television."  at least he can sing tho, I guess?

I like him a lot too and think it's a great story line to be explored.  I'm glad Nashville is tackling it, and that the show has been doing well by the character so far.

Absolutely, great scene with a lot more going on than what was being said on the surface.

Definitely felt like an ex to me - why else would the guy be so confused?

The minute Rayna got in that car with Deacon, I knew what was coming too, but I kept saying "don't do it, Nashville!  don't go full soap!  never go full soap!"  and then they went full soap.  Ah well, being on ABC, they didn't really have a chance of not going full soap (i wish Callie Khouri could be honest about the…

and the critics apparently like it

I know, that's going to be one hell of an Emmy category.

pretty great list in general, but specifically:

Completely agree - Mike's speech at his wedding (was it last year's season finale?) made me tear up something fierce.  Just a great episode all around.

Agree - this show is substantially elevated by the kids.  It's also what makes the show unique.

Through last week I always chimed in with my thoughts, but I'm having trouble with it today - The Following had such great hate-watching comments because it was so batshit crazy, but I found myself incredibly bored by the last 2 episodes of Revolution, even as less story points bothered me.

Plus Monroe just blew up Miles' last campsite, so how would Nora even know where he'd go next?

especially now that we've seen his tap-dancing skills!

I agree, I do not believe they are "human" either, though not necessarily Wesen - some hybrid or 3rd entity that makes them special and "worthy" rulers.

I thought we were in one of his stories as well - the car scene had such a haze on it - then I was convinced Ken had died, and then we were back in the office and he had a cane.  It was a traumatizing couple of minutes.

I don't think Matthew Weiner cares for American car companies.

with a stop-in as Joseph Fiennes' kid's nanny on FlashForward, where I was less than enamored with her acting abilities

agreed, Klaus was REALLY well used last night.

What was it Katherine was trying to get out of Bonnie?  Essentially turn her into a new Silas?