Ooooo, I like shows without typical episodes, which is odd from someone who'll watch any formulaic copy show that isn't NCIS.

Hilarious. I've been meaning to watch it, though I'm pretty sure this isn't a typical episode. I wanted to see it from the beginning but it's not on Netflix. I'll see how much I can catch On Demand.

This is the first episode I've seen. I was making sure 30 Rock was going to record and I saw Chalkey White looking almost relaxed and talking normally and it caught my eye, then I remembered it was a Law & Order parody, had to see that. I've never cared for the original show but I've seen most episodes of SVU and Crimi…

chocolatestigmata- Don must have thought he'd finally found his ideal, honest and accepting Anna combined with the dark-haired sophisticate he was always drawn to. Finally reconciling Dick and Don through another person, the concept, appearances. It really puts Don's conversation with Pete in the cab in perspective.…

This explains The Kids in the Hall.

Honest without being backed into a corner, he was honest with Anna Draper and she loved and accepted him for who he really was. The timing suggests that he was trying to find that with Megan, the blank slate.

I'm amazed that anyone knows that about him, not being any sort of cook.

The best of all is La Marseillaise.

Pete was only hired because of his family history. Was he qualified?

Yes it was Born Free. Saying she'll never make it in the wild was a bit much.

Thanks, you put it perfectly. I really felt for Don when she rejected his sherbet and I felt bad for her when she didn't see the trip as being spontaneous but as not respecting her as a person and lashed out. The whole scene was just two people not communicating and hurting each other even through they're trying to be…

I kind of liked it, it went with the old fashioned car interior. The whole scene has a fake strange glow like an old postcard. I just thought Don standing in front of the hotel was beautiful.

If they're going to keep brawling like that, they need to get an apartment without a conversation pit. Ow!

I didn't make that connection. That makes their discussion about it being a stop along the way and not a destination really interesting.

E. Buzz Miller - I'm not sure who you were replying to, but sleeping your way into a job and doing a sexy dance at office parties has always been and still is frowned upon. The dancing more than than the sex. People can be hypocritical and turn a blind eye to what goes on behind closed doors, but everyone can see…

She said that it was embarrassing when he pulled her away from work. I don't think she wants to think of herself as a toy who's work doesn't matter like Don's. She got the job through sleeping with the boss and now the reality is that if she wants to really play the role she has to have more going for her than…

I don't think it's a matter of being kind or morally upright. Ozai had to be stopped, neutralized and imprisoned. The waterbenders weren't committing genocide. Aang had to restore balance. To deliberately take someone's life is a monumental thing, it would change you and would forestall any chance of contemplation or…

It's been a while since I've seen it, but didn't Iroh say it was Roku's crown? I don't think I would have noticed otherwise. Maybe Roku's house didn't get buried in lava and have a Fire Temple built over it and someone found the crown and returned it.

The only time the convenient geography really preyed on my mind was in The Avatar and the Firelord. How did Sozin get to Roku's island so quickly, they mentioned how far it was earlier. Also, why did Roku stay so long in the first place, and how did Iroh get his hair crown when it was in Roku's house, presumably…

I always found it interesting that Azula was surrounded by blue flames in her throne room, when her father's were red. This implies that the Firelord makes the flames to show his might, like having crown jewels to show your wealth. I don't know. It seems like a crazy basis for a government.