There's nothing inherently wrong with that.  It's how most novels work, after all- we almost always see other characters through the eyes of a main one.  But I haven't read these books, so… maybe they just don't do it very well?

But then we'd lose an awesome character.  Not cool, Arya.  Think of the viewers.

Uh, Juggernaut, you do know that lots of sons look like their fathers, right?  That's not an incest thing.

The name of the track is 'Burnt child corpses, just sorta hanging there'.

I like how much you can discover about commenters' sexual preferences by seeing who 'liked' a comment…

One Joffreyslap for the spoiler, spoilerface.

Very good point, yo.  I think this also applies to Daeny's scenes, which are all about exotic weirdness (I forgot who made the Star Trek comparison, but it's dead on).  There's power politics going on now but as we don't know anything about the place and its politics it's hard to get into.

I still want to see a diagram for what Theon did and how come the guards who were sent to get him have not showed up back at Winterfell yet- except for their leader, who mysteriously did.  How did he move so much faster than them?  One day later he's riding around the countryside like he owns it…

Which exchanges?  I'm wondering if the Jon Snow-whatsername conversation is what you're mainly thinking of.  It was a fairly uninteresting exchange set against beautiful, beautiful scenery.  But apart from that, and the Daeny scenes that never really grab me, you have Tywin-Arya, Tyrion-Cersei, and Jaime-his…

Now I'm commenting… thanks to your craaaazy American spelling, the first thing I think of when I look at the title is A MAN WITHOUT HODOR.  With that plus the picture, I'm assuming Cat gets Brienne to break Jaime's legs and leaves him to manage without a giant to carry him around.

Oh, also, Theon's dialogue with the Maester was a bit on-the-nose.  'I AM DOING THIS TO GAIN APPROVAL AND RESPECT.'  Would have preferred the Maester to make that insinuation and Theon to be all 'What? No. Shut up.'

I think we needed a scene in which Theon was able to exert his authority enough to tell his guys to keep it low-key.  They're supposed to be piratical raiders, no?  You'd think they'd be getting to the raping and pillaging with a vengeance.  A little speech would have fitted in well with all the stuff on the nature of…

Agreed.  I just don't think they've had the time to make us care much about Qarth- it's just been Daeny wandering from one wacky personality to the next.  So it's hard to be very engaged when a bunch of those wacky personalities are killed.

I wanted the Wildlings to all speak in thick incomprehensible Scots.  I'm still keeping my fingers crossed that the rest of them will.

So, how many men does Theon have?  His one boat didn't look THAT big, and he rode out of Winterfell with everyone we've seen so far.  Then he tries to say he's safe by quoting Ned that you could hold Winterfell with 500 men… is he supposed to have that many?  How did they fit on the boat?

Yee Yee, that may be true, but the problem is that certain commenters insist on perpetuating this disgraceful meme instead of letting it die a natural death.

Who?

Yeah, they don't stumble much.  And they always do it courageously.  But Green… there's a few too many tracks on there that I couldn't really get enthusiastic about.  On the other hand, there's also You Are the Everything.

I think Falls is saved thanks to Stipe's performance, and it does work well as a closer.  Problem for me is that when the marching drum kicks in I'm instantly reminded of King of Birds.  And there's not much that can compete with that.

Really?  If anything, Driver 8 should encourage you to take a break.