Or when Stephen Stills is mad at him.

The time is now! They're even going to go back to that clumsy, over-sized paperboard packaging.

I haven't bought any new tapes, but I do still have all my old tapes and listen to them fairly regularly (because I also still have my decades old stereo set-up). Maybe the attraction is the sound of the machine mixed with the music. I don't really know, I always liked cassettes, but I never really thought about why

A Day in the Life: We spend the day following a different person around, seeing their day-to-day, but the audience only ever sees them from behind. Then, at the end, it's revealed who it is.

No, it's actually Doris Day.

A lit candle next to an open window. When will it blow out? People can bet on it! More shows should have a gambling element.

Deano-bots. Like Dino-bots, but they're all Dean Martin.

I just came up with this just now, looking out my window: A guy singing 'Houses of the Holy' in his car real loud.

How about this: a talking grill that helps inner city kids with their problems.

I watched it with my soon-to-be wife a week before our wedding and we were both tearing up at that scene. Neither of us cried at our own wedding, but that shit…

Jim Henson, that's who!

I know you guys probably don't need suggestions there at AVC world headquarters, but I'd like to see the Go soundtrack covered in this feature. A grab bag of music from a grab bag kind of movie.

And good too. And there was Once also, but those are movies are about musicians, so dissecting those soundtracks becomes more about dissecting the movie. The songs in Walk Hard are actually pretty great, but mostly exist to serve the character of Dewey Cox, so an analysis of that would be more like a film review.

That's true. They've dipped into the '80s as well, but there's a lot there to mine as well. And if they are interested in doing soundtracks dominated by one artist, the '70s has some good options - Saturday Night Fever, Superfly, Shaft.

Yeah, I like this feature, even if it's kind of serving only people who listened to movie soundtracks in the '90s (I was definitely one of them).

Okay, this is something I've wanted to bring up before, but I haven't had a chance: I kept reading here about how loud Swans were in concert and so I was really excited when I finally got the chance to see them. I was ready for some ear bleeding sound. And then, I mean, they were loud, it wasn't like when I went to…

Crystal Method's first album was good, though not up to Chemical Brothers' standards maybe. They definitely had different sounds though so it's kind of weird to see them get mixed up (except Dowd did say he was more on the hard rock side of the soundtrack at the time, so I give him a pass…this time).

It holds up really well. I liked the Soul Coughing/Roni Size collab, but it would've been better with more Sebastian Steinberg as a fill-in for Reprazent's Si John.

The Crystal Method album version is a lot better though, in my opinion. Filter was alright, a lot better than the nu metal that followed them.

It did really well on its budget, making somewhere around 3-4 times what it cost, but the bigger factor was that Austin Powers as a character (and Dr. Evil too) was recognizable even to people who hadn't seen the movie, which made franchising easy.