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Peggy Olson Loves Movies
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Loved this show. Watched it every week when it aired. Breezy but never boring.

The show has definitely exhibited a certain self-awareness before in some of the relationships - especially in earlier episodes when Chloe was a larger part of the show - so I think it's entirely possible.

I kind of thought Junior was going to phase through the dome at the end of the episode.
Guess he was just having a bad day. :(

I love this episode - one of my all time favorite hours of television. I remember thinking back in 03, it can't get any worse for the Fishers than "Death Works Overtime" but somehow it did. Ball even laces his hope with arsenic as Ruth and George begin their relationship with all of the psychological security of two

If you like the darker, sadder, destructive side of SFU, then this episode, "Twilight", and "I'm Sorry, I'm Lost" are the three best episodes of the series IMO. This entire season had a nervous energy about it, and an existential angst unlike anything I've ever seen in any other series. In fact the whole Lisa missing

"God yes, I feel the exact same way about Maya."
"I was taking about Dana."

Terriers is not on DVD?! Yikes. Had no idea.

On the one hand, goodbye Bunheads - you will be very, very, very, VERY missed.

This is one of my favorite Peter Krause performances from this season. The way that he is so carefully hedging back to the "old Nate" and hating himself for it all the while, and yet projecting that hate and frustration onto other characters is so spot on. This episode also has some of my favorite nervous energy

C-?! I mean it wasn't perfect but I kind of loved this show. Between this and 2009's "Mercy", Liz Heldens is really writing some interesting stuff.

Olivier's explanation of "The Eye Inside" is like a microcosm of "Six Feet Under" - both wildly and benignly pretentious, yet wonderfully insightful - and perfectly germain to this world. I love this show, and this season.

I know it has been said before, but this is honestly my favorite episode of the series in my favorite season. And it really is one of my favorite episodes of television of all time. I just re-watched this episode last night along with this week's MAD MEN episode and it really made me question just how much love we

1. When Emma finds out that Joe is dead at the restaurant I really wanted her to have a nervous breakdown and start screaming, "I'm still alive Joe, CAUSE I KNOW HOW TO STAB SOMEONE!"

Emma in her "Dental Hygienist Fatigues".

For some reason I really wanted Emma to say, "you know the drill Ryan - gun and cell phone in the garbage." And Ryan to respond, "already ahead of you baby - never even brought em."

HAVE THEY NOT SEEN THE ABYSS DAMMIT!

If you ever watch FOX ON DEMAND they do a 5 minute "behind the scenes" at the end of the episode with the creators and stars discussing the previous episode of "The Following". In some way it's sometimes almost funnier than the show to hear their explanations. However, I have to hand it to Annie Parisse who, on these

CLASSIC POE.

I totally agree - I was on board with either meaning.

While I totally understand your complaint and where you are coming from, that complaint is sort of the point of the show; that is, seeing how the characters on the show, who are charged with "knowing" the public and framing the public's idea of what life is to be desired, are becoming less and less connected with the