The baldness just cuts through you like a knife, doesn't it?

So, if you don't mind me asking, why is Tell Me You love Me in your queue? I watched it when it first aired, but I can't imagine anyone seeking it out all these years later (especially if they aren't into the sex scenes)

Coincidentally, my favorite clip  from the the show is from the sketch is immediately before that, (and the audio from Paul and Jay on that sketch from the commentary is spectacular)

It's worth keeping alive for Michelle Borth. If you can get past watching Adam Scott having graphic sex (which is hard, I know) Michelle Borth is a pretty nice reward

I love that picture, with the violently bald David Cross

"It's an error, not a hit!"
"Why don't you steal home you thief, you've stolen everything else!"
I love every line Bob has in his and Linda's manager/umpire argument at the end

I always hated how this adaptation failed to include Miss Havisham's robot monkeys and the Genesis Device from the Dickens novel. It's barely the same story.

I completely understand that sentiment, and they probably made the right move, but everyone is expecting Michael to come back in the finale. No matter how many times Steve Carell said he wouldn't, we all know he's going to be in the finale, whereas if he suddenly showed up at the end of this episode, it would have…

Airplane! and The Naked Gun were probably the first movies I ever "loved" and I love them even more today now that I get all of the jokes that five-year-old me either didn't notice or couldn't understand.

I love Creed in that picture. He went to Poor Richard's because he wants to watch college baseball.

I know, off the field, Aaron Rodgers has a passion for music. He sings and plays guitar and started his own record label, but he's still a weird choice for an acapella competition judge, especially one where all three judges are supposed to be mean.

Trent Dilfer was more successful than Dan Marino

Seriously, that song worked so goddamn well. Immediately after that scene ended I had to rewatch it just to hear it again, which made it's brief appearance in the shapeshifter's bedroom even funnier. I was a little disappointed to see that it wasn't an original composition for the episode, but I'm not surprised.

It wasn't even the best menstruation joke of the night, but I laughed at the idea that Lois would want to be in a bathtub when she gets her period real hard.

Love that episode. When the kids take their wigs off, it gets me every time. And I especially love the way Bruce delivers the line "Forget the home run, Joe, let me at that whore"

Does anyone else think Vanessa Bayer looks sexiest when she's playing a thirteen-year-old Jewish boy?

@avclub-2a6ac9e5324952e36b40237cf2fcdad8:disqus  Molly Shannon's best recurring character was Jeannie Darcy, who was sort the opposite of that. I think she only showed up 2 or 3 times, though. If SNL had ran that character into the ground, I'm sure it would have gotten just as annoying as all of her others. Don't get…

Was I the only one who really loved Wendy Schaal's powerhouse rendition of Takin' Care of Business? And no one has mentioned the "mature Navajo bitches" line yet? Or Haley washing a load of headbands - and smelling the one she was wearing? Come on, maybe the amnesia angle has been done to death but this episode was…

Would it really be worth living in a world without television? I think the survivors would envy the dead.

Even with Steve calling fouls like a bitch