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neurosauce
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I was handling myself quite well, getting a bit misty eyed from time to time during the episode…but then the final screen for Harris and I lost it.

There is an excellent blooper from that scene, where Aziz, Aubrey and Chris all keep saying things to him, so the answer will have to be "SHE DROVE ME HERE" and it's brilliant.

"This was supposed to be about HAPPY BOYS!"

I love all of you, for both enjoying Newsradio and also transcribing the single best scene in it's history. Bravo!

But they already gave him Christie Brinkley, a beautiful happy family that adores him and a giant penis, most men would consider those consolation for mild abuse from coworkers.

I also enjoy Aziz, but would have been way more excited for Ron Funches, that hairy chocolate gummy bear (Nick Kroll put it best)

I came into this show kinda late (started watching in September when I found out that Jenny Slate is a semi-recurring character) and have watched each season about 25 times now (I just keep it and many other shows in constant loop from an old laptop when I'm home) and yes there are some exaggerations in some

Leslie has said herself and proved time and time again, that she is focused on her goals (no matter how weird, like making something good happen amongst a few deaths) and has severe tunnel vision in achieving them, meaning she sometimes just walks over people to get them.

The Eagleton guy was actually nice and genuine, it was everyone he worked with that was a troll.

I always thought they were just nonsense names that sounded ridiculous in a long list of law firm titles. I enjoy it a little less knowing that it's based on something (no hate on baseball), but it's still a funny sounding series of words that my brain enjoys, so I still love hearing the lawyer say it out loud in

YES! that's the only way I would personally accept his return to the show.

To me, It was the best thing for the show to have him leave. He's not a bad actor, but I didn't believe a single thing about his character or his actions. Replacing him with Adam Scott and Rob Lowe was what made this show a classic to me. It was truly firing on all cylinders, he clearly didn't mesh with the rest and

Refugee, it's the first song that came to my mind and I can think of no sensible reason for it to be relevant (other than fan fiction territory), but I want it to be that now.

I usually give zero fucks about any and all fan fiction, but I kinda want to read what you do create from this scenario.

People seem to be hating the time jump, but there are many reasons I like it. First, it misses all the pregnancy/new born related episodes from the show, , so the kids are old enough to let their parents have some life outside of being parents to keep the same spirit of the show and their characters. Having Ben or

Well, he could easily play an early 30's indie before he became a professor. Back when he was a scruffy, bright eyed, cocky younger man. He definitely can't play 40 or 50, but we don't need more old Indy, he only got older because Harrison Ford got older, there is no reason to age an action star otherwise. He can be

In theory, that's how it should be used, but studios take a lot of shortcuts and we end up with movies that look like complete ass, like a bad playstation 3 game, not a $100 million dollar epic.

Dennis Reynolds freaking the fuck out never grows tired to me and that particular tirade was one of his best.

It's going to be really hard to order food at a diner now and not blurt out "BEAK!" when asked what I want. This show just keeps being excellent, but when the writers/actors are still so invested and hands on, and have nailed their characters down perfectly (while still being wild and unpredictable), it works itself

Esoteric is not the right word, per se, but if you think within the confines of Charlie's education, lack of reading skills, being a glue addict who eats cat food to fall asleep, it's weird that he would know how to sew or write musicals. It's not weird for people to be naturally gifted at such things, but it's just