My opinion is different from yours.

You're right—I was thinking of when the Planet Express Ship got an upgrade.

You're right—I was thinking of when the Planet Express Ship got an upgrade.

As the culture that produced Baywatch, we deserve nothing less.

Your femputer better have Sigourney Weaver's voice!

Your femputer better have Sigourney Weaver's voice!

Netflix does 3D streaming?

All gingers look the same.

Schoolhouse Rock > Aesop Rock

MG-MT

A student in a film class I was teaching years ago brought this in as an example of a film scene she really liked. I supported it but her fellow students were, understandably, a bit weirded out.

Against All Odds is such a perfect song for Gibbard it's kind of amazing he didn't write it in the first place.

Ransone was great at playing the most annoying character imaginable.

All whistles are boner-implying whistles, depending on your age.

A classic AV Club tearjerking!

It would be kind of awesome if the last Fringe was just a run-of-the-mill procedural episode, just an average case with no attempt to wrap-up any of the timeline craziness. Then the internet would spend years debating what actually happened.

Due to Burroughs, the last 30 minutes of it are basically this anyway.

Bigelow is this weirdly wonderful hybrid of art film and action director, though I think she works best within the context of Hollywood filmmaking. Her experimental student films that showed at MoMa awhile back were wholly unwatchable, even for student films, so it's as if she needed to work within more conventional…

The most 80s thing I've ever seen in my life is the scene of Rob Lowe playing the saxophone in this movie. The jacket, the tie, the embarrassing way he claps his hands together when he stops playing—it perfectly sums up everything about that rotten decade.

The scare arousal is a wonderfully contradictory sensation, somewhat akin to a "flag and like".