Yeah, it's about one part Anger and two parts Jodorowsky. A deliciously entrancing cockail!

Yeah, it's about one part Anger and two parts Jodorowsky. A deliciously entrancing cockail!

I've already seen too many movies with Harvey Keitel and flapping pieces of skin, thank you very much.

I've already seen too many movies with Harvey Keitel and flapping pieces of skin, thank you very much.

Seconded on Furstenberg. She's fantastic in that film, which sadly seems to have already fallen out of end of the year discussion.

Seconded on Furstenberg. She's fantastic in that film, which sadly seems to have already fallen out of end of the year discussion.

Sold! Thanks for clarifying.

Sold! Thanks for clarifying.

My concern is that I don't want to spend the time just to laugh at them. That doesn't strike me as an enriching experience, and Oswalt's comments don't lead me to believe there's more to it than this.

My concern is that I don't want to spend the time just to laugh at them. That doesn't strike me as an enriching experience, and Oswalt's comments don't lead me to believe there's more to it than this.

Gary X is exactly right about the last few episodes and especially the finale. It's up there with Lynch's best films, and it's harder to conceive of a bigger mindfuck that could ever air in primetime on a major network.

Gary X is exactly right about the last few episodes and especially the finale. It's up there with Lynch's best films, and it's harder to conceive of a bigger mindfuck that could ever air in primetime on a major network.

I like the comparison to Drive. Both seemed to exist on this weird mythic plane, though in Bellflower the idea is also a slight satire of the feelings of being young, dumb, and in love. I forgave some of the uneven acting because so much of the movie is deliberately histrionic, almost operatic, in regards to first…

I like the comparison to Drive. Both seemed to exist on this weird mythic plane, though in Bellflower the idea is also a slight satire of the feelings of being young, dumb, and in love. I forgave some of the uneven acting because so much of the movie is deliberately histrionic, almost operatic, in regards to first…

"Why don't you get a horse, move up to the mountains, don't bother anybody?"

"Why don't you get a horse, move up to the mountains, don't bother anybody?"

I'd argue that 2001 is the alluring but intelligent girl that you fall for, who then, for reasons you will never fully understand, allows you to be the person you were always meant to be but never even knew you could.

I'd argue that 2001 is the alluring but intelligent girl that you fall for, who then, for reasons you will never fully understand, allows you to be the person you were always meant to be but never even knew you could.

Summer Hours deserves more love. A great, subtle film that, as you said, sinks in more over time.

Summer Hours deserves more love. A great, subtle film that, as you said, sinks in more over time.