S&M with Echo would be….great.
S&M with Echo would be….great.
I don't see why if the Dominic was the mole he would use Echo as his one of his Over-Imprints, judging by the fact he tried to kill her in the polyg compound. For whatever my fair share means, I say DeWitt has been the REAL mole, which is one of the reasons she left for the lonely hearts engagement. She has her…
Its also Passover, but that's beside the point.
Agreed.
And—this must be added—masculinity is the most important feature of a man behind alcohol abuse.
i felt the same way, except I honestly thought this was some wacky dream of Paul Blart instead. Damn creepy.
You are a pretty, pretty princess, girl from classifieds.
I just don't like the word "syrup".
…I like Joss Whedon.
It depends on how traditional you view your sci-fi.
The zombie suvival guide by John Enzinas is a great "non-non-fiction" book.
TOO MANY BALD PEOPLE.
And somehow I think this boy is going to make a return appearance.
Some Cities was fucking Wizard. Wacco. Smashing.
I've listened to this one too, and the first track some of the finest DOVES.
I haven't gotten anything from the marketplace since Lost & Damned, so I'll check this one out.
Mizerock is an elitist trash.
She deserves a good smite, although IT IS subtle.
The professor would be proud.
Blart rhymes with Fart. Thats the extent of funniness of that movie.
The thrill knowing people used to use typewriters is what astounds me. I was born with a keyboard.
Orson has never done anything better.
The Bends (From the Pablo jump looks amazing, and even from today stands tall)
OK Computer (Perfection)
Kid A (Doesn't deserve a ten on Pitchfork)
In Rainbows (15 Steps at the grammy's was sick, right?)
Pablo Honey (Old sounding)
Hail to the Thief (Kinda frantic, features good sides of Kid A, but not as good)
Amnesiac (And…
For that reason, I have never considered "pop-rock" a legitimate genre. Rock is about cocks, not about sortof cocks, sortof lesbians. And by the way, all pop is about lesbians.