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broctune
avclub-4297ef5f39f4aeb86d80ec9744cd2990--disqus

Yeah, 3 isn't so bad if you don't hold it up to the greatness of 1 and 2 but the shit of most other films. Incredible missed oppurtunity, but still a very entertaining film.

In an early season of Sopranos Meadow tells AJ that both white and black are symbolic of death, so I see this was a theme they had early on. Secondly, I never thought about Meadow saving Tony in the dream and then not being able to save him in the diner. I totally agree that it's Chase's intention to show this -

I find it telling that Don wrote that letter when he was trying to be sober and live a much cleaner and healthier lifestyle, and that his train of thought in that period of his life can now be his undoing. This show, as was Sopranos, is not kind of characters trying to quit drinking. Which is true in life also - other

Also, Weiner said on Bill Mahers show that this season is about Every Man For Himself. I really don't see that yet, but the final arc may be Roger being successful, and Megan, and others, and the Don struggling and feeling betrayed,

Todd gave Girls just an A- this week so he got done masturbating to that game-changing show a little earlier this week.

I feel one part of this episode that has been overlooked and will play out to have major implications is when the Dow Chemical guy says no me in that room, these heavy hitters, will ever hire Don, because of that letter he wrote condemning Lucky Strike, you really see the life go out of him, as he realizes he

I was worried it was going to a big Danson fiasco, but that scene of them looking at each other across the table, Hamm nervous, Tracy pissed, and then Hamm just saying banjo, was fucking gold. And hilarious.

Sometimes I want to bring a lantern and a notebook to the movie theaters so if someone starts to text I'll start writing in my journal so they fucking get a clue.

I don't know. The idea that he can live in his imagination during his coma, and that it's this narrative that leads him all the way to near death seems as unlikely as a him going into a spiritual afterworld, but I'm more inclined to believe the spiritual afterworld, as science cannot back up either of these scenarios

I live near a theater called Cinnebarre where you can eat and drink beer and wine while you watch the film. It's sort of like a mix of the Drafthouse and some shitty mall cineplex. I find more people seem to talk and text a bit in these theaters, but the good thing is that every other row is removed so you are

A city is probably better than the suburbs for two reasons 1) people are rude, but they are smarter, so they can get through parts of movies without explosions or farts without texting or answering the phone. 2) people in the city are known to violent, so it may cause a chill and make people think twice by pissing

Texting in movies, the insane loud talking, and even fucking talking on the phone is the reason why I go to the movies way less. I live a half hour from Seattle and go into the city to see movies because the film houses have moviegoers that actually respect other people and want to watch the movie. The theaters in

I do think the cut to black does imply something terrible for him however. The writers could have easily gone with the a cut to white to symbolize death, as Meadow in an earlier season metioned to AJ discussing a Frost poem that both white and black symbolize death.

I would agree with you if the vision in Tony's coma was a dream, but there are no dreams in comas, especially dreams with extra long narratives that one lives in. If this was a dream like in The Test Dream, I'd agree with you a 1oo percent.

My problem with this episode and the last episode, if you think Tony is dead with the sudden cut to black (which I believe happens) is you have a show that in this episode is intensely spiritual and points that there's an afterlife, and Tony is in the purgatory of it. But the end of the series, if Tony is dead, he is

"Reverse racism is bad, but not as bad as fast forward racism, because that includes people getting hit in the face with pies and pants falling down."

Monster was also one of the first albums I bought and I loved it when I bought it, then I sort of disowned it when I got really into REM, but Kenneth, Strange Currencies, Let Me In, and even Crush with Eyeliner are some of REMs best stuff. I am hesitant with Crush cease they played the hell out of it in the 90s, but

I hate Adam as much as Mad Men's McRapey, and Dunham's enamoration with this kind of fucktard is a reason I'm already done with this show.

Well, I hated In The Loop for the very reason is was in a British accent. I want to rewatch things to pick up new jokes, not s I can try to understand the words the third time around. Veep's talkiness is greet cease it's filled with actual jokes up, unlike Sokrin type stuff.

Girls is incredibly realistic. But I do not find it funny. The boyfriend character is one of the most grating characters I've seen on TV, and I've known people like him, Again, superbly written show, but more wince inducing than funny. Than again, I thin Louis is highly overrated, and Im a huge Louis Ck fan.