Did many critics have the Fargo finale before they balloted? I can't imagine that to be the case.

I mean, I guess in theory a person like you should exist who has seen neither The Sopranos or even so much as a picture of the E Street Ban, but at the same time, I'm amazed that you actually do.

Strong album.

Not a single one of you voted for the Knick?

How the fuck is The Knick not on the Best of TV list or the snub list?

In Saul's defense, he didn't really believe the man was supposed to be interrogated.

I'm from Boston, so either first or last, and IT WAS NEITHER.

I'm amazed that there is anyone who frequents The AV Club that can't immediately identify Andrew Rannells' voice at this point. His voice is so distinctive!

You can't spell "Golden Globes" without "lol be snogged"

They weren't the only ones looking places.

I can't wait for her to take on the Crazy 535.

It seems egregious to me that Brandon can't manage to understand some of the simplest parts of this episode. There was no inference required to know how Lucy is paying for her dress, or that Gallinger set Edwards up to make himself look superior. It's not subtext, it's just text.

It's not the show's best episode by any stretch, but a C is as much horseshit as Gallinger and Edwards arguing.

I began to live two different lives, completely separate from each other. One on Netflix, where a hour lasted every bit of sixty minutes, the other on FX with Ryan Murphy. Time had a way of making a different journey in that place.

What an utterly delightful episode of television.

Paris is probably a male model.

Thank god. She's so fucking pointless to the proceedings.

I feel like maybe you shouldn't post stuff like that in the comments.

Transgender applies to the physiology, straight applies to the orientation.

On the VanDerWerff Scale, this episode gets: