When I was tweener I loved the obligatory romantic subplots of 80s/90s YA horror novels (Fear Street, Christopher Pike, Lois Duncan, et al), so I read a few SVH books thinking that more overheated melodrama would a better story make.
When I was tweener I loved the obligatory romantic subplots of 80s/90s YA horror novels (Fear Street, Christopher Pike, Lois Duncan, et al), so I read a few SVH books thinking that more overheated melodrama would a better story make.