I love how they censor Offerman's "bullshit," and Brie's second "fucked up," but not her first one. The power of the Brie forces one fuck past the censor.

You were already a doctor in high school?

You were already a doctor in high school?

Much of the viewing public simply doesn't see television as an art form worthy of full attention. Instead, it's something to be on in the background while doing other things. Those people are missing out on some amazing work being done in this medium, but just try to change these ingrained habits.

Much of the viewing public simply doesn't see television as an art form worthy of full attention. Instead, it's something to be on in the background while doing other things. Those people are missing out on some amazing work being done in this medium, but just try to change these ingrained habits.

My favorite part of this interview: "That… is my finest hour."

My favorite part of this interview: "That… is my finest hour."

Schmendrick. FTW.

Schmendrick. FTW.

Bill Heder is the only acceptable Scrivello.

A totally rad, kick-ass song is what it was, and remains so today.

What, are you people on dope?

That shot made me laugh. I'm not proud, but there it is.

He does fail to note, however, the Pinter reference in Pinter's name. It's Pinter.

BEADS!?

Though all of your points are valid, who better to play God than Morgan Freeman? That's just typecasting. "Driving Miss Daisy," though? Eesh.

Other favorite examples:

It's a little known fact that Astroglide is infused with energy from a red star. And now, after all these years, so is Lois's anus.

Is Hosea in this season? Then, no. Not the worst.

This line and "stick it in her brownie" are proof that somebody in Standards & Practices was paid to look the other way.