It makes me really sad because I think Boyd and Scott could have had a really interesting dynamic and friendship. He was definitely my favourite of Derek's three betas.

The twins (or one of them at least, I can barely remember) helped murder Boyd. Why are they in Scott's 'pack'? Worst of all, why did Cora help save them when just a few episodes before she tried to kill them, specifically for Boyd.

Yeah, lucky him, having his entire family die.

I don't understand how the guy Donna is hooking up with is supposed to be charming or even remotely appealing. She even said herself that the guy is douchey; the complete opposite of charming.

I don't care how 'easy' a joke it might have been, Cora fainting right as Stiles told her to wolf out was hilarious.

I think I would have liked this episode a lot more if they cut the Derek plot for more Grampa Argent beating the shit out of werewolves.

Is it wrong that “There’s The Rub” made me sort of ship Paris/Jess?

I started liking Jess a lot more after his season-six appearance.

I don't understand how it can possibly be dated, it's far funnier than any sitcom airing today.

It definitely has the better Irene, arguably has the better John, but I still prefer BBC Sherlock's Moriarty. Maybe because I actually had an idea of what he was doing, as opposed to Elementary's vague plan which I followed even less than the author of this review.

I would guess that Crowley would assume that if he did kill Sam and Dean they'd just be brought back, but I'm not sure that's true. The higher-ups no longer need them around to be Michael and Lucifer's vessels, and I'm not sure Cas is in a position where he would be able to do it alone.

So why was Barney's mother still pretending she thought Robin was a virgin when they were alone together?

I don't think anyone wonders that.

Well Pam presumably signed a contract when the crew first arrived, and I'm guessing it covers them to film whenever they want.

Is an illness really a character flaw though? It sort of feels like when an author makes the obvious self-insert/wish-fulfillment character 'clumsy', and pretends that somehow equals complexity.

What the hell is the point in telling people the governor is 'dangerous' and 'not who he seems' if you're not going to explain what that means? 'He has a freaking torture room' is a lot more convincing than some vague rubbish.

Could someone explain to me exactly what the governor meant by 'surrender'? He said later in the conversation that he doesn't want the prison, and feels better with them there since he can keep a close eye on them, so did he just want them to stop attacking, hand over their weapons, or what?

As much as I still love the first season, I agree with the opinion that Peep Show really gets going in season 2. The episode where Mark makes a new friend only to realise the guy is a massive racist is one of the funniest episodes of any sitcom to me.