avclub-2ea3ff45d620f62b6669490c57394f3c--disqus
chuck p
avclub-2ea3ff45d620f62b6669490c57394f3c--disqus

Like The Prestige, but with fossils instead of magic? I'm in!

Job well done by the Baywatch finale to tie-up all those narrative threads.

That should be rules 1 through 9.

I think this ad aired virtually every commercial break that post-season.

The Summer-Tinkles flashback also served as some great music critique on the disposable "techno-hip-pop" summer jams.

The show left it ambiguous, but I think it'd be a stretch to claim it was *just* Daniel's dream.

The little moments have made this season, and it proved true in the finale

I cannot wait for Foulkes' comeuppance.

The amount of humor surprised me, in a good way. The Great Donut Pursuit was one of the highlights of this season.

Playing catch-up on the season, and this is very well stated. Vaughn has two modes for the character: monotone and annoyed. Having a better sense of his moves toward legit business before the backslide would have helped immensely.

Strike while the iron is hot!

Sean, great article. I'd make room for Black Steel *somewhere*, but I like the late-era additions.

Crawford is fantastic this season, even beyond his excellence in seasons 1 and 2.

Jack Black has a lifetime pass from me for this role, and particularly, this quote:

Totally.

I have no clue about the band itself, but for supporting characters:

Particularly when it reinforces that Daniel often processes his emotions like an 18-year old would. Daniel's sarcasm and the PO's definitive response seemed like a classroom exchange between a smart-but-troubled student and teacher.

Love this feature, and it's borderline impossible to mess it up with LCD Soundsystem.

Good call - even back in Freaks and Geeks and Undeclared, Segel showed vulnerability with his earnestness.

I've gotten so much mileage out of this line