By B-movie you must mean a film made by an A-list director, employing a couple of the biggest stars in Hollywood with a very large budget and a story that invented some of the cliches it get accused of using.

Its a truly great film and you think to yourself while watching it, "This is Howard Hawks' best film" but then you think, "well, what about "Bringing Up Baby" or "Twentieth Century" of maybe "His Girl Friday" or "Red River" and then there's "Scarface" and "The Big Sleep" but actually "To Have and Have Not" is even…

Its always troll bait week at the current AV Club.

Its only a brawl for the purposes of writing a clickbait headline.

In the past few years The AV Club has gone decidedly downhill in the quality of its writing. How do we fix that?

Hutchinson, KS?

Paul Muni? Edward G. Robinson? George Arliss? Sean Penn? Tommy Lee Jones? John Malkovich? John C. Reilly? Forest Whitaker? Willem Dafoe?

To paraphrase Yogi Berra, if the fans don't come out to the movie theater, you can't stop them.

""Town and Country" cost $90 million. Really. For what, exactly, because that money sure as hell is not up on the screen."

And yet his best Hollywood friend was Warren Beatty.

But we can still label her a joke thief, right?

No matter what the premise or who the actors are Showtime just cannot produce a great series. And when they manage at least a decent show it goes off the rails in no time.

You're not getting it, I will check in with the AV Club recap to see who Negan actually killed but will no longer watch the show as it has become a consistent disappointment.

No, done with the show permanently.

I'm done with this show but I'll come back here next season to find out who Negan killed - which should be fully revealed by the 3rd or 4th episode next season.

Jimmy crack corn and I don't care.

You'll get over it.

Correct, except replace the word adults with the word kids in those two sentences.

The soft bigotry of low expectations.

He did a ton of blow, beat women, loved guns, was a jerk to everyone and oh, by the way, changed the face of music three or four times (not shown).