I'd watch that. I love the original, but I wouldn't go so far to say that it is unfuckwithable. I'd still prefer original ideas out of Hollywood and blah blah blah does everything have to be a fucking remake…they gonna make this a trilogy too?…etc, but as these things go, I say give it a green light.

Dude also sang ALL the verses of This Land is Your Land at Obama's inauguration. I found that pretty awesome and it made Springsteen smile like a giddy school boy.

Of course, in a perfect world, this could have been an SNL/Elvis Costello "Radio Radio" kind of thing where they expected him to do Head Like A Hole or Something I Can Never Have and he opted for the Copy of A Copy song as a swipe at the repetitive swill that often gets honored at the Grammys.

I truly hate to say this because I dig NIN and fucking loathe the Grammys, but the Grammys really won this one. Reznor's dissed the Grammys before, but they called and he came running, then THEY decide to cut him off. They kind of made him and QOTSA look like their bitches. Especially when you consider that they made…

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I don't think you understand the question. Of course most party scenes in movies are flat plot devices. They're individual scenes that can not show all the side conversations and nuances and subtle little moments that make a real life party the memorable and formative experience yo're talking about. The question was…

Holy fuck that's a pretentious answer. Not saying you're wrong, mind you. There's definitely some appeal there. But ye gods, that is some pretentious shit right there.

Several bombs and guns were tried
But Ferdinand almost survived…

This is like arguing over whether Michael Ironsides is the poor man's John Saxon or vice versa. Which is to say I could probably debate it for a good 20 minutes or so when drunk.

Welcome to the internet.

Compared to The Producers, Young Frankenstein, High Anxiety, Blazing Saddles, etc? Spaceballs is a movie that had to hit you at just the right age. I think I was too old and had seen too many early Mel Brooks movies to really let me love Spaceballs.

It is actually the midpoint of History of the World Part 1 that Mel Brooks lost his mojo. Never quite got it back thereafter.

One testament to the brilliance of this movie, and its reverence for its source material is the fact that it was the first screenplay to win a Nebula Award. Always found that kind of cool.

Yeah…that's a rather pointless waste of pastels or whatever photoshop filters they used for this.

I think you're on to something. I'm not sure what the actual process behind the making/compilation of this bizarre clusterfuck was, but that could be an excellent explanation. Still, why the fuck were Schreiber and Watts taken in by that horrifically awkward homeschooling sketch?

Am I the only person who watched Movie 43 and at least admired the sheer audacity of the thing? I'm not calling it "good" in any conventional sense. But simply have the pull to get big Hollywood names like Kate Winslet, Richard Gere, Uma Thurman, Naomi Watts, Halle Berry, Gerard Butler, Liev Schreiber in your movie…

Not only do I dig the prospect of the premise shift, but I was really impressed with the way the explosion at ISIS was done. The sudden blast, and the oddly lingering exterior shot mostly silent save for the sirens playing in.

The thing is I can guarantee you that this deluded little fucker sees his "Stop Creating" hashtag as some sort of artistic version of "going Galt." Like his ducking out the spotlight is going to bring the engine of the entertainment world to a grinding halt. Like every every other self obsessed objectivist wacko, he…

I'm going to have Google answer this question for me in a moment, but I still want to ask: Who the FUCK is Calvin Harris and how does he rank such prominent billing?

Yeah, I usually don't pay much attention to the fine print bands because I don't read enough Pitchfork to give a shit, but that caught my eye. My outraged and offended eye. Fishbone easily trumps most of the bands listed.