Looks like Fienberg has softened his position on the matter and admits there's some room for a potential mystery.  Although he also stated that if the killer turns out to be someone other than Norman, he'll quite the show.

@avclub-c156902f5b20b572848be18c11634dfb:disqus
Yes it was a great scene and it was nice to see them (er Vera) show some dramatic chops in the midst of all the goofiness.  But I don't see how anyone could take it as a turning point for the character.  Through the whole monologue all I could think about was how much of…

Likewise.  This has been an extremely fun, weird, little series.

The thought crossed my mind.  Not sure if the math works with their ages (assuming she would have been 13ish).  Also, being the product of inbreeding would just make Dylan's meteoric rise within the pot organization and his mad-shootout skillz even more amazing.

The murder scene they showed was not the result of a "clumsy,  this is my
first time at bat, will he be able to pull it off kind" event.

Norma's efforts to mind-fuck Norman have been pretty consistent all season.

Do you want to know how I got these scars…

I think Todd's review is spot on.  Ending the season with Norma and Norman about to go sit by the fire would have been perfect.  Just the right amount of ambiguity where, at least to me, we get a satisfying conclusion and something to look forward to next year.  Showing the dead teacher seems worse than the reveal at…

He turned out to be one of the better characters, which surprises me because I found him fairly dull and annoying at first.

I agree that Vera is knocking this out of the park, but Freddie is doing a pretty freaking good job too.

I really felt like I was missing a joke through that whole scene.  To the point where I am really frustrated.  The only thing I can come up with is maybe they were trying to parody 1960's TV / movie fights like Batman, Star Trek, or Bond where the good guys seem to effortlessly plow through the bad guys with a single…

Damn.  I must have missed that part.

Wow that "battle" at the end was atrocious.  At first, I couldn't tell if the awfulness was some kind of intentional meta-commentary.  My head ran in circles for a few seconds.  Then I realized that any way you slice it, it sucked.

Sadly, I think there was some subtle exposition at the beginning of last week's episode confirming that Shelby had indeed shot Jiao.

So was Jere Burns looking for Keith's belt?

And speaking of sexual fantasies, we now essentially have confirmation that something actually happened between Norman and Bradley.  However isn't there still the question of exactly what happened?  I haven't totally written off the potential for a future reveal that their encounter wasn't exactly the epitome of high…

"an elaborate game of Three Card Monte designed to distract from the fact that there’s no way for the audience to win"

This is probably already posted somewhere, but just in case.  A "cannibalized" version of "Ceuf" is up on NBC.com.  Haven't watched it all yet, but based on the length of the first two segments, it looks like it's about 30 minutes total.

I was having some doubts about this show after last week's episode, but "The Truth" officially won me over.  The camp is real, and I think they're all in on it.  The motel shootout scene had me completely engaged even while simultaneously wondering how I was getting so caught up in something so ridiculous and…

The last couple episodes have brought the show down a couple of notches for me.  I can't decide where it stands in the intentional / unintentional camp spectrum, or if it can really be considered "so bad it's funny".  It's certainly not good TV.  I'll stick with it though because I don't generally have anything else…