BY O'NEAL'S SNARK!

Glass case of emotion! Glass case of emotion!

"Desecrate Conformity"

Oceania has always been at war with East Asia.

Blasphemy.

You know, Nowhere Again by The Secret Machines is rapidly becoming a song that time forgot, but that song was a breath of fresh air at a time when Dashboard Confessionals, the Garden State soundtrack, and the Shins were suffocatingly ubiquitous.

No mention of The Saints?  Shakin' my head right now at all you.

I don't know what you mean, @avclub-734ffb84cfa214922893511fae356b45:disqus.  If you read my post, I've clearly never mistaken Lust for Life as being a Stooges song rather than an Iggy Pop song.  Not even a little.

Float On is a good song, but isn't exactly a rock song in the sense that rock music has driving guitars underneath it.  Take Me Out seems a little more suitable a choice, seeing as they have nearly identical drum beats. And as long as we're talking about Yeah Yeah Yeahs, Date with the Night and Y Control are shoo ins…

Tatum could out squint a finicky Persian cat if he wanted, but not Clint Eastwood.  Not yet.

Probably a wise choice.  You could've turned into a drug addict or something.

More importantly, why is Channing Tatum's face so freaking weird looking?

^her?

Reading Pitchfork writers talk sincerely about liking things is pretty awful- the description of why The Moon and Antarctica was the best album of the 2000's is pretty disgusting- but they certainly have a way with snark.

It's a complaint I've heard a thousand times, but that's only because it was and is valid.  Taking an iconic Iggy Pop drum riff and watering it down into a paint by numbers rock tune for Baseball stadium sound systems and car commercials is pretty hard to forgive.  Also hard to forgive is using the original in cruise…

Oh, good choice, @avclub-bd6db8346527b61b67be99c93d42c986:disqus.  That one totally slipped my mind.  Gaybar is awfully solid as well.

I'm likewise pretty ambivalent to the question, but limiting myself to rock singles that had mainstream success, I'd put Get Free by the Vines well ahead of just about anything except maybe Hard to Explain or Last Night by The Strokes.

I really don't notice any changes in the show's quality after like halfway through season 6.  At that point, it just settles into this comfortable mediocrity. 

Cool cool cool cool cool.

It will now that I'm picturing Britta in glasses *droolz*