avclub-153f08f81bce94a093b6f55f77fded4f--disqus
Alotta Fauxgina
avclub-153f08f81bce94a093b6f55f77fded4f--disqus

Ooh! Ooh! That's what I just said below!

Yeah, they stretched it out so long that they deflated the jeopardy of his secret. Rita died without knowing, Deb's now "cool with it", Martindale's character died (a smaller character, but one of the few decent supporting ones), the kids are all non-entities who barely register.

Eh, it was okay…

A saint!?!? With guile and duplicity of this magnitude?:

Jesus, how the fuck did they forget Baltar? He's really the poster boy for this archetype.

I already said it below, but Dewey isn't really weaselly. More endearingly pathetic.

Dewey isn't really weaselly, though. More endearingly pathetic.

You do realize the gimmick posters aren't real, don't you?

He looks like he's trying out for Hobo with a Shotgun 2:

Yeah, I really need to give Monomania more of a chance - off of my list above, that's the one I've neglected the most so far. I think I screwed up by heavily listening to the pre-release sampler w/ Back to the Middle and Monomania on it (I paired it with their Rainwater and Flourescent Grey EPs, which I had never

Hey Sarah, just wondering, is any of their other stuff worth looking into, or is Pigface more of a one album wonder?

Sarah Sepanek suggested Pigface's Gub above, which is pretty fucking great so far.

Somewhat related, but does anyone else have a weird relationship with the Kid A artwork? I get sort of a deja vu feeling when I'm looking at it, like it's something from childhood, half remembered. Kinda weird, I know.

Thanks, Spotifying now as I type.

Gateways to Geekery: Industrial Music Edition

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Jesus, not this again.
 
 
Everyone needs to chip in so we can buy uselessbeauty a new meme.

Can we do an unofficial Gateways to Geekery: Industrial Music Edition here:

Sorry to post again, just had an idea -

Eh, this year has been really weird for music. Tons of my favorite artists have been coming out of the woodwork, often after many years away, and issuing "surprise" albums that are technically great, but all feel vaguely underwhelming for one reason or another. I can't quite put my finger on it: whether it's stylistic