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Token Black
avclub-1452ffdb44788d62f55be4362bad5808--disqus

This is a great, absolutely fascinating interview.

@avclub-41e23e24ee2670c4128cd7e5e5ee42ab:disqus  Yup. Season 3 was the most unpredictable one in terms of pacing, not just on a seasonal(?) level as you alluded to, but on an episodic one as well. The one where Hank has Walt and Jesse cornered inside the RV for example. You'd think that would be a cliffhanger - and it

Yeah, I am in AWE of how amazingly stupid this is. I feel like I need to watch this now because the description makes this movie sound hilarious.

I haven't rewatched it yet, but last season was easily my last favourite of the series. They were tons of cool moments that I'll never forget, but there was also something off about the show from the second episode to very near the end - the plotting seemed clumsy and convenient for most of the season and they made

You'll should've brought Leonard Pierce back for this article.

This is just a set-up for a Chris Brown joke, right?

Not a great episode by any means, but it was worth it for the final punchline. Oh, and the "faghhhaaats" line reading.

He looks like he got stuck somewhere in the middle of the frog to prince transformation.

Surpisingly good album overall. Still inconsistent ('50' is just dreadful), but tracks like Forest Green and Oldie more than make up for it. Also, Rella and Ned Flander work significantly better without the videos, which makes me wish all their videos would be more like the unofficial one for Oldie (http://www.youtube.

The production on it is great. In fact, the production is the most consistently good thing about this album.

Yeah, I had no idea he was funny until I saw him on Never Mind The Buzzcocks. Plus, this was great:

You tell 'em, sister.

You clearly aren't down with the sweet beats and the solid gold vocals.

"Bill Salas knows something about sweet beats"; "Solid-gold vocals that make strobe lights flash and even the whitest of booties shake"; "Brenmar’s real power comes live, where he’s a straight-up clever and surprising mixer".

@avclub-0da7b2945e9148fed0a61ba72bfb017e:disqus I had no issues with her taking Shane's side or even giving that girl none of us care about a chance to kill herself. It was a shitty thing to do, but yeah, it was well within character. I can't recall too many particular instances of her being a moron because this show

"This is one of the stupidest pieces of writing ever posted on the AVClub".

Ah, I'd forgotten about witch house. That sure had a lasting cultural impact.

You could say that about every single episode of this show.

The way Rick explained his killing of Shane to the group made him out to be a monster. He was of course as much in the right as you could possibly be in murdering another human being, but the show needed him to appear like the bad guy to the rest of the group for whatever reason ("conflict", "character development"),