Well, JARRY confirms, with VanderWerff's terrible judgment on display, that this is the page where decent taste goes to die.

Laura's warbling, like Rob's mush-mouth and the other bits cliff mentioned, was hilarious and accurate. And the show feels like the archetype of modern tv comedy. It's great that he's so skilled, I can't believe he is a CGI dude, his tastes are outstanding (that is the most polite evisceration of Scrubs I can…

Even in ST TV realm, a Dyson Sphere is so off-the-charts, resource-wise, that they just left it the fuck alone. (The movies and books have your Gods-needing-ships and massive-Borg-fleets and shit, they do whatever. Some of the books have just stupidly massive/complicated inventions/plot elements…)

Sirtis, you're outstanding.

DS9 worked harder, and they played harder.

There was a novelization of an episode?

Damn it, people! Haven't none of you read the comix?

Shame on you, Rabin…
For not even MENTIONING Bob Burden, whose Mysterymen I'd love to have a beer with. Not those over-reaction-shotting-movie types. Also, that MI intro is super-long. That is all.

The Village and Unbreakable are definitely his two best. Both are straight up obsessively watchable until the denouement, which occurs in both about 3 minutes from the end credits, and which in both are quite passable (especially compared to, say, Lady in the Water or Signs).

Yeah, well…
…This ranks with his lesser work in terms of any substantive advancement. He seems to be having fun, though. I'm just happy Catherine Keener doesn't get jobs anymore.

Great resume.
Loved Our Gang, loved him in Superman, great in Rockford Files, and looking at IMDB, the guy directed All Shook Up and Witless, two amazing Sledge Hammer episodes. Nice life's work, truly.

I really have no idea what the reviewer's issue with the score is. It's great, only present for about 40% of the movie, and (as Unk Martin said) is just really well meshed with the big money sequence at the end.

I ended up seeing Mars Needs Moms! in 3D. I actually thought it was done quite well, and the animation used a few aspects of minigravity in some very interesting ways. For CoFD, I thought that it was used expertly to give a series of successful pov shots, since none of us motherfuckers is getting in that cave in our…

'Psycho Pussy' it is, then.

I'll miss you, Helen. You reminded me of my aunt.

Oh yes. And I'm quite tired of Rogen by now… at least until he turns 45 or so. O&R is whacky and not entirely successful and different and mostly great.

Ambassador jumpsuit landmine! Nose army… heh heh…

So will I, DTO. So will I… I've been wrong before! (US Office and Sunny to name two…) I just hate Wood so much, that and the 'licking-the-face, isn't-that-outrageous/hilarious?' stuff is setting off alarms.

Just enjoyed him real early on in F/X last night (as a bizarrely tall gunsel). Excellent. The going-out-to-staten-island ep was my favorite half hour of last year…

Sorry, but I think that shows that you do have a shitty sense of humor. This is gonna be some suck.