avclub-0d3066dd38b53380a4cc1c6c9e61f09b--disqus
TheEscapist
avclub-0d3066dd38b53380a4cc1c6c9e61f09b--disqus

I wonder if Tate was being wistful, like if he had learned since he arrived in Ghostville that all he had to do was drop out of high school like his heroes, and not gun everyone down.

Whatevs.  It's still the best movie about Queen Elizabeth giving her son a beej.

Time After Time is fairly awesome.

He's giving Shawn Ryan's speech on this topic, so The Shield may be being watched.

I saw it twice in a row opening night and haven't stopped since.

And Fairport Convention.

To each his own chance to be way wrong. McCarthy episode was much, much better.

Spielberg 2011:  Boy and his alien, boy and his robot, boy and his alien robot, boy and his horse, mocap boy and his dog. That is quite a year.

Everything in the kitchen opened like the Sixth Sense.

I'm a defender/apologist of much of this pilot (and someone who did his part to continue the onanistic telephone game passed from maid to DylMcD to us), but that scene was awful writing acted even worse.

He was pretty?

I'm defending it because it has great musical numbers, a wonderful bitchy turn by Laura Benanti and because I work on it, and it's fun to see your show dissected in the comments and to have money to live.

I really don't think it occurred to Mister Goulet that he was playing a romantic scene
opposite his daughter.

Pearl the Magical Negro is the best reason to watch the show (well, after the musical numbers):  "Ain't nothing wrong with being wrong."

ElectraWoman and Dynagirl
Electra Woman and Dynagirl was their best work, in my faulty memory.

It was okay until the Optimus ex machina ending.

The Museum of Jurassic Technology does the whole "museum about the idea of museums" thing in a very entertaining fashion, without being assholes about it. Plus: free cookies.