Yeah, Bipolar, those people are something else. I actually knew someone who watched the season 3 finale and thought, "Huh, so Kate and Jack knew each other before the crash? That's a shitty twist."

I honestly think the real problem with the Lost finale was simply that it "got religious" at the end. I don't think Lindelof and Cuse were thinking about the atheist science fiction nerds who were going to be pissed. Nevertheless, it leaves a bad taste to go that way even with the devout. 

If you're talking about Smokey as something that doesn't really fit with the early seasons, he's a terrible one. The obsession the monster seems to have with Locke? The fact that the black smoke appearance is introduced in the first season? That after seeing the black smoke (his main antagonist in the final season),…

Blahblahbleh.

Only after Lost took the mantle of "shitty recent finale" was The Sopranos able to be re-evaluated. So, we'll be able to talk coherently about Lost in about two years when either Mad Men or Breaking Bad try to pull some shit in their finale.

I don't know if that distinction between cable and network is really true. For the most part, I feel like network television needs to start acting like cable to survive past the next decade.

This was a pretty weak episode. It had the ingredients of a good episode, but it didn't really cohere into a very substantial or rewarding story. I can appreciate the little ways that the storylines were connected thematically —- the smog isn't just Betty, but Roger poisoning Jane's apartment as well; Both Don and…

Honestly a little bit more ambiguity would've helped the final season. I'm serious.

Yeah, I netflixed that film. Not the best. The great songs more than make up for it, though.

(New Spider-Man 2012 spoilers)
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If they hadn't already done prison stuff back in the second season, I would think a final season focusing on our broken prison system would've been pretty sweet.

Christ on a cracker.

This was actually an impressively good 'Plot' episode, which relieved me, because when season four shifted to this stage of the season they didn't hold it together quite as nicely. Am I right in calling it a plot episode? I don't think it was really a 'mood piece' or a 'character piece'. We're officially moving…

Knowing how much it must've cost actually made the montage that much more badass. They almost never let the music moments go on for too long (except 'Zou Bisou Bisou', I guess), but they really let that thing play out and it was pretty epic.

The last three seasons of 24 never happened.

"This isn't a car!"

This show is really coming together and has become really enjoyable. However, as an entitled white male, am I sexist for wishing the show focused more on the male characters? The skeevy boyfriend/fuck buddy provides by far the biggest laughs.

It was during the 1966 scenes, not the flashback. I'm pretty sure 'Tomorrowland' took place in October.

While I agree that sexual awakening is an important aspect of Sally's storyline, I don't think the show would be so sensational (even if it was realistic) to have her lose her virginity so early.

One of the radio announcers in Don's car mentioned "record low temperatures for September" in 'Far Away Places'.