B
an ok episode. did cameron's bit at the beginning remind anyone else of classic 70s bionic woman? when she bent open the chain-link fence i expected to hear "ch-ch-ch-ch-ch…" sounds.

i was confused by this timing issue as well. so tv sarah and john are from 2 years after the events of T2?

what makes sense to me is that it is sort of one-way. you can go back and forth, but once you've gone back, there's no guarantee that you can get back to the same future you left.

what makes sense to me is that it is sort of one-way. you can go back and forth, but once you've gone back, there's no guarantee that you can get back to the same future you left.

B+
i'd give it a B+. definitely slackened pace from previous episodes, but story arcs often benefit from that. plus, i love a chance to see four men standing naked together.

yes, but then when sarah copies him later on (to cameron: "triple-8. lose him."), i kinda thought she was being a poser right there. like, "listen lady, *you're* from 1999."

best line
"i won't be the bastard who brings metal down on the connors."

rogue cameron?
could it be that cameron killed andy and took the turk?

when she repeated dead girl's last words, i was afraid for a second she was going to copy her voice, too (which would clearly have been stupid).

p.s.
two things about it are completely implausible.

not bad
i continue to rate this show as "not bad," which in comparison to almost everything else on tv, translates as "good." in agreement that the fight scene was cool—i like how they look so dispassionate but determined (and superhuman). cameron's exit from the truck at the end was also physically cool.

it should have happened earlier, but i was finally completely done with the oscars when _return of the king_ won best picture. i mean, seriously?

episodes 1-2?
are the reviews of episodes 1 and 2 still up somewhere? i can't find them on the site.

agreed!

solution to judgment day?
i wonder if it's occurred to the writers that one possible strategy for avoiding judgment day would be to "go public" with all the evidence sent back into the past? if they've already sent back impossibly advanced terminators as well as engineers well-versed in building time machines, you'd…

i agree. sort of an archetype of the classic hero (she suffers but can't reveal it on account of her noble purpose/secret past), but there's a reason why that usually works dramatically.

really giving it a chance?
hi Keith,