All those songs are so perfect at treading the line to where they could almost be legitimate rock songs, "Tonight I'm Gonna Rock You Tonight" coming the closest.

@avclub-782066c88e9c574d6085f3ddfc7032e4:disqus Well her character's 17 (although I just looked up the actress and she's older than me, crazy). I think people are probably reading too much into that, but I wasn't really paying much attention at the time.

@avclub-8f87d4b94113d31b79513839ae5dbc3f:disqus I totally believe he'd do that, but it should've come on something more than a weird vibe. I think from a storytelling perspective that needs to build a little more. And I think there's a lot of great tension to be mined from being unsure if he's suspicious of them at…

Yes, comic relief! Maybe a Buscemi-in-Armageddon-like wise-crackin' type whose unpredictable ways get them into all sorts of zombie trouble.

I get the feeling they're biding their time until Carl hits that growth spurt and we don't feel weird about them being romantic.

Whoa, points off for Hershel. "Hey guys who just lost someone desperately trying to get into this secure place, I should probably needlessly tell you we're totally going to kick you out when our more able-bodied group members get back in a couple days, in the meantime here's some blunt objects. I'll just hop over here…

I don't really care much about the lack of depth, because I don't really expect depth from this show, but the repetitiveness is strangling what little good will they've generated from the action. Oh new people are introduced, do we kill them, let them go, or bring them into the group? It's the same fucking conflict…

For all we know, she still doesn't know how well off Phillip was growing up.

I thought the point of the pilot was that she was more emotionally connected than she let on. Though she's still about "the mission," a lot of that zealotry was about getting back at her tormentor.

Yeah I find that really problematic that he just broke into someone's garage and trunk on a hunch - capricious as the FBI have been known to be, particularly with Red Menace type stuff.

What does capitalism have to do with…The Job, a reality show in which the owning class make the unemployed plead and subjegate themselves for the "honor" of a meager entry-level job all for the public's amusement?

I'll say this, Arnett was getting so cut I gotta believe he was switching things up with someone new. Ditto Poehler, I wonder if there's any causation with amicable break-ups and how well the parties stand to fare in the dating pool.

I don't know why people keep perpetuating this narrative. Yes, Sony is the one who actually severed ties with Harmon, as that's production company who his contract was with, but do you really not think NBC had say over who showrunned their Prime Time Thursday night show?

Well I suppose The Job is more subtle than Watch Capitalism Fuck The Dignity Out Of You.

Be fair, 2 months. It's not like he found out his parents aren't as wealthy as once thought. I'm not sure I could ever recover from that sort of blow with only my cushy mid-level management job and Ivy League degree to fall back on.

Be fair, 2 months. It's not like he found out his parents aren't as wealthy as once thought. I'm not sure I could ever recover from that sort of blow with only my cushy mid-level management job and Ivy League degree to fall back on.

Only thing that would have made it better is if he was reading his statement off his phone.

Oh yeah, if he's going to do one of his broad characters they can't possibly integrate him in the world of Parks and Rec that fully. But if he's doing a more low key thing like in The League he's fine.

Is it anger? He sounds like he's suffered a psychotic break.

Holy shit, Excitable Boy, totally forgot about that one. Great pick.