That book is really fucked up, if you think about it, because it really argues that killing people is OK if they deserve it. Makes a huge mockery of the justice system.
That book is really fucked up, if you think about it, because it really argues that killing people is OK if they deserve it. Makes a huge mockery of the justice system.
Damn, I thought I had bad experiences with seagulls (once at a beach one grabbed my socks out of my shoes - while i was on the sand barefoot - and flew off with them; another time I had three slices of pizza swiped directly from my hands) but those stories are terrifying.
I actually just got back from a lunch where the dessert was a huge slice of cheesecake. I'm feeling awful for myself for eating it, but at least now I can pretend that it could have been much, much worse.
He was so good in Sixth Sense and AI that his career after that seems perplexing. I feel like he could have gone a very different route, taking more serious (as in worthwhile, not necessarily dramatic) roles. Feels like he disappeared, which makes sense given how shitty childhood fame must be, but what doesn't make…
Alda is one of the big underrated players in Allen movies. He's fantastically douchy in Crimes and Misdemeanors and is perfectly cast in both Everyone Says I Love You and Manhattan Murder Mystery.
I typically love 30 Rock, but sometimes its meta jokes were such an obvious stretch that they took the humor out of it. See also, the Conan/janitor episode.
Now this is what I was hoping this IG would be. I don't need some random account to tell me what food on the Simpsons looks like. I've seen it.
Hard to not feel that way when so many films are remake and reboots, the kind of thing that screams commerce over passion for the story.
Didn't that also happen in Last Crusade? With the traitor being what's his name, the guy who ages to death.
What makes Jackson's KONG so good is that he really does have some interesting characters and performances. He develops a lot before they get on the ship, and there's real emotion in the climax. It's a rare action movie that would be improved by losing a lot of the action.
I just looked up what he's been up to, since in a more just world someone as handsome and dashing as him would've had a bunch of headlining roles, and it seems pretty racist that they have him playing Jafar now in Once Upon a Time. I haven't seen the show, but come on.
There are a lot of good lines in Returns. It makes you wish they could've had the time for another screenplay draft, and that they would've been more cognizant of CGI limitations. It isn't good, but there's an alternate universe where its just as good as Mummy 1.
That'd be a funny video, a grown up jumping up all over a stoic dog, who is just trying to get inside.
Literally teared up at this joke.
It's pretty fucking amazing that dogs can SMELL bombs. I just read about a diabetic kid who has a dog that can smell his fucking blood sugar levels, alerting him when he's low.
Interesting where lessons like that come from. I didn't consider editing until I saw Hook as a kid, and I had the thought that it took too long for him to become Peter Pan.
Agreed. Kind of disappointed its only a B, to be honest.
Get that Furry Vengeance money!
I dunno, are mummies really scary? They seem much better suited as action villains. (I've seen the original and remake — the ones prior to the 1999 one — and they aren't exactly spooky, though fun.)
I don't get why Hollywood doesn't understand that going "cheap" can make for a much better movie. Practical effects, shadows, implied stuff off screen — all that can make for more effective and memorable sequences, for way cheaper. To say nothing of how spending money on a good script and characters is way more…