avclub-065a522743880e43347ab3c1ed2e00cb--disqus
only child
avclub-065a522743880e43347ab3c1ed2e00cb--disqus

JUST TRY IT

plus shredded stonewash jeans

It really is hard to match when it comes to opening credits. The only one that had a similar charme to it was the one from That 70s Show's first season. But they ruined it by changing the song in season two.

As I was reading I wondered "why aren't there any anecdotes about Todd's youth?", I scrolled down and reached the stray ovservations - "still nothing?" - and then, there it was: Embarrassing adolescence story corner

The ostrich is actually Kaitlin Olson.

But season 4 has an entirely different concept than most comedy shows and even seasons 1-3. The concept may be flawed since it didn't work like the writers intended it would, but - as far as I recall - something like this has never been done on a tv show. The season's structure is a lot more similar to a novel than a

I feel like a lot of the criticism about the first half of the season is void once you start re-watching it. The feeling of something being "off" about them stems from the remnants of the writers' initial plan to make the episodes be watchable in any order. I still think each characters' first episodes CAN be watched

Didn't the sheriff vaguely imply that the same would happen to Norma if she'd continue to mess with him? Wouldn't be surprised if he turns out to be the big boss.

Annet Mahendru would also get one for best supporting actress. But Russell will probably be the only big nomination. Rhys was even more impressive in my opinion, but the best actor categorie is already packed (they should just kick out Michael C. Hall already, he won't win anyway).

The trailer was funnier than the entire fifth season of the original.

Is it just me or does he sound like a deaf person sometimes? Maybe it's because he put on an American accent for the show, but it's freaking me out.

Sex is only allowed in room 4.

Why do I love this show so much already? Everything Todd wrote makes perfect sense and yet none of it crosses my mind while I watch it. It's like The OC: If Seth was a psychopath-edition. Emma will probably not just leave for Pittsburgh, while a Nada Surf cover of OMD's "If You Leave" is playing in the

He played Max's boyfriend in Happy Endings. Everyone loved him and his hairy chest.

I now watch Bates Motel as a prequel to Psycho…and Mad Men.

I agree. I'm not ashamed to admit than I'm jealous of his hair. He can do crazy hair, he can do slicked back shady business guy hair, he's unstoppable.

I think I'm on Team Chevy now.

Me,too. And I really tried not to compare the two, but the Malcolm one shat all over this one. Where were the sickles and the wooden planks that can cause you to lose several limbs? (is that how Lois' mother lost her leg?)

At War With The Mystics is their worst album in my opinion, but they really made up for it big time with the two follow-ups. But I like their new direction so much that I get bored with Yoshimi and The Soft Bulletin pretty quickly now.

Who gives a shit as long as they still put out amazing albums like Embryonic and The Terror? It's not like their "real work" suffers because of the stuff they're doing on the side.