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only child
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Frank being a patient in the American Horror Story Asylum was all I could think about after his bit. He would've probably hooked up with Pepper or WHORE.

"He tries to mess up Franka, but she gets the drop on him, having stolen a
gun from the detectives earlier. When we leave them, she's wounded him
and stumbled on Chloë Sevigny in a closet, who is covered in blisters
begging to be mercy-killed. Pretty standard stuff for anybody who's
touched Vincent Gallo's penis."

"He tries to mess up Franka, but she gets the drop on him, having stolen a
gun from the detectives earlier. When we leave them, she's wounded him
and stumbled on Chloë Sevigny in a closet, who is covered in blisters
begging to be mercy-killed. Pretty standard stuff for anybody who's
touched Vincent Gallo's penis."

I think a lot of people forgot that Charlie was by far the most horrible character in season one. He faked cancer, stole from the bar, threatened his landlord with a gun, gave the McPoyles the idea of accusing their teacher of molesting them, stole Pop-pop's Nazi memories (and kept some of them), used a troubled child

I think a lot of people forgot that Charlie was by far the most horrible character in season one. He faked cancer, stole from the bar, threatened his landlord with a gun, gave the McPoyles the idea of accusing their teacher of molesting them, stole Pop-pop's Nazi memories (and kept some of them), used a troubled child

Sometimes it feels like I'm watching a different show. Criticizing that a character acts too cruel on It's Always Sunny? And this "Charlie is the moral center of the gang" is straight up false. I get why it might seem that way, but whenever he really puts his mind to something he's the one that stoops the lowest and

Sometimes it feels like I'm watching a different show. Criticizing that a character acts too cruel on It's Always Sunny? And this "Charlie is the moral center of the gang" is straight up false. I get why it might seem that way, but whenever he really puts his mind to something he's the one that stoops the lowest and

I loved how they had Margaret McPoyle - the deaf-mute - playing the cello at the wedding without anyone even commenting on it.

I loved how they had Margaret McPoyle - the deaf-mute - playing the cello at the wedding without anyone even commenting on it.

Beams is his fifth full-length.

Beams is his fifth full-length.

No mention of Patty wearing a birthday hat? That almost seemed surreal. Best episode of the season so far. This kind of flashforward dramaturgy rarely works if it's done in the course of a single episode, because it seems gimmicky most of the time, but here it really increased the tension a lot. The Rashomon style

No mention of Patty wearing a birthday hat? That almost seemed surreal. Best episode of the season so far. This kind of flashforward dramaturgy rarely works if it's done in the course of a single episode, because it seems gimmicky most of the time, but here it really increased the tension a lot. The Rashomon style

Phoebe? Seriously? That's outrageous.

Phoebe? Seriously? That's outrageous.

I hated Patty's reveal which to me looked like a mixture of an ending of a Monk episode and some cartoony villain. The only thing missing was a cat/Dalmatian on Patty's lap. The whole wig business was pretty cheesy as well, but other than that I really liked the episode. The premiere was in A territory for me, so the

I hated Patty's reveal which to me looked like a mixture of an ending of a Monk episode and some cartoony villain. The only thing missing was a cat/Dalmatian on Patty's lap. The whole wig business was pretty cheesy as well, but other than that I really liked the episode. The premiere was in A territory for me, so the

Is it just me or is this review laced with some kind of passive-aggressive contempt? I really don't understand where this is coming from. Why is it bad that actors from The Sopranos and The Wire are in also in Damages? Todd A. Kessler was involved as a writer and producer for The Sopranos so it shouldn't come as a

Is it just me or is this review laced with some kind of passive-aggressive contempt? I really don't understand where this is coming from. Why is it bad that actors from The Sopranos and The Wire are in also in Damages? Todd A. Kessler was involved as a writer and producer for The Sopranos so it shouldn't come as a