No, that can't be it, it very clearly was.

Lot of great nominees here. Pulling for Atlanta for everything it's nominated for, personally. Also Fargo in mini-series and Better Call Saul in drama, but almost all of the nominees are deserving.

Ending on "Mac Miller nice too though" was pretty funny.

Looking even more forward to this now than I already was.

Kind of weird how she's recording pop bangers about partying when her whole aesthetic on the last album was that she wasn't really into that kind of thing, huh? "Craved a different kind of buzz," and all that. Anyone else get that a bit?

I'm not trying to shame him, but pointing out that one of the greatest directors of all time has made so few films starring female leads is a valid point to make. It's just a fact.

I love both but there's no denying the Sgt. Pepper's is the more inventive album. Also I just personally enjoy The Beatles more than The Beach Boys, although again I do enjoy The Beach Boys. So for me Sgt. Pepper's edges it out but they're obviously both classics for a reason.

Seriously. In addition to being a great film, it's literally known for being the film with the most Oscar nominations (10) that didn't win a single one. How someone can forget that film is beyond me.

In addition to The Color Purple, he's literally working on a film starring Meryl Streep as Banks was saying what she said. I mean seriously, how hard is it to just say "99% of his films have starred mainly men" instead? It's a fair point to make, and one that absolutely should be made, but she went about it all wrong.

You're looking for the article about "twats"

Could be a solid anthology series with each season focusing on on a different assassin working out of a Continental in a different country.

Agreed, if Metroid 2 gets a remake then Zelda II should as well.

The fact that the press and general public still ascribes malicious intent or motive when companies do this remains baffling to me.

Saw it off-Bridway at the Cherry Lane Theater during its run there and loved it. Can't wait to see how it changed with the increased production values.

Nobody's out to get me, it's just painfully obvious how manufactured the backlash to this season has been.

Three (yes, "three" for all you deliberately contrarian, "a good show can only be good for so long before I need to help create an artificial backlash" people) excellent seasons of television is nothing to sneeze at. If he doesn't have it in him anymore for now, that's fine. I highly doubt he never comes back and does…

You forgot Fargo, for Michael Stuhlbarg and Carrie Coon. And Odenkirk from season 1 and Plemons from season 2.

Oh damn, good call. Wouldn't mind that assuming the character is fun.

They were really both two-dimensional obstacles, just obstacles in different ways. Bill was just nicer about it. I think you and everyone else are ascribing more character to Bill than he actually had. Rose-colored glasses, and all that. Besides, we don't know how Dammick's story plays out like we know how Bill's did,…

Yeah, it seemed that way but it's not out of the realm of possibility that he had other people around either as sleeper agents or just never before seen on-camera before. He seems to come from a pretty large and well-funded operation, after all.