Sadly, for their wives and kids, but you reap what you sew.

Instant Karma (We all Shine On) :)

In the opening scene, it's pretty clear they are making a Faustian bargain- the kingpin represented solely by his skull ring.

In the end, it's pretty clear that GTO and his ilk won the race to Washington.

Midnight Cowboy was radical and, at times, truly experimental- it still seems fresh and relevant to me. The flame was still burning in '74 when Peckinpah shot "Bring Me The Head of Alfredo Garcia," and '77 when Altman was allowed to begin shooting "3 Women" without a script, or even in '79 in the madness of…

Not to mention her work with legendary experimental filmmaker Bruce Conner. (see: https://www.youtube.com/wat…

George summed it up: "You know why they hate you? Because you're free."

For awhile, no doubt trampling others in their wake, but in the end, their stupidity and hatred consumed them, too, I reckon, and they died as broken and pathetic as any sick fool.

On that note, one of my favorite scenes is at the beginning of the trip, where Billy and Wyatt slowly explore an abandoned house in the desert and a dusty drawer yields a long stopped watch. Time is still and flows around them as they embody this lost ideal.

Sorry about that.

Judging from the trailer, a much larger Drogon will also find her there and fulfill the dosh khaleen season one prophecy of her son becoming "The Stallion Who Mounts The World." And The Mother of Dragons will finally have her Dothraki army.

Or… then boarded another ship that then also sailed to Kings Landing.

Jorah will know to look for Dany in the weapons free zone of Vaes Dothrak among the dosh khaleen, so it's a good thing.

I'm assuming that after we last saw Nymeria and Obara, they boarded a different ship that followed Jamie's back to Kings Landing. After Jamie took Myrcella's body ashore, they slithered into Trystane's cabin, where he was in mourning, painting the stone eyes for her funeral, and yada yada…

"Officially, you will no longer have any friends here."

Zatoichi.

Well, I don't mean terribly, horribly, psychotically dark, just something with dark humor and relevant social satire. The show flirts with it at times, but then tips back towards screwball, which is fine- but mix it up a little.

All true, although Harness, I'm not such a fan of. IMO, his and Gatiss' were the weakest of S9. I've also liked Gareth Roberts' comedic ones. But what I'd really love to see is a dark and subversive Charlie Brooker episode. Not too likely, I know, but he's said in the past that he'd be game for writing one.

Those were all decent and fun episodes, if not earthshaking. I do hope Moffat and other meatier writers continue to contribute, though.

I agree, and I especially love how she finally ended up.