Something about wanting to bust that body…

For you, perhaps. When I first saw it, naturally I took it to mean the killer was showing up. After the twist, I took it to mean her "bad" personality was about to take over. If that scene paints a poor picture of a sexual woman in your eyes, well, I'm not sure how to respond… About the only thing I can offer is that…

I don't really get that. I enjoyed the movie and even said things like, "this bitch is crazy," but at no point did I think her performance was indicative of every female, lesbian or otherwise, and if someone actually makes such a leap, they're trying too hard.

You are, in fact, nitpicking the hell out of it. And you have been this entire thread. And your entire position is that the movie's premise is hard to swallow. Really?!?

How is that bullshit?

So sexual females can't be brutal killers?

It wasn't a twist. It was just a poor recollection on the part of Alex, who, lest we forget, was telling the story of what happened to her at the beginning of the movie.

Keep fighting that "this movie is tripe" fight, but you appear to be losing. By a large margin. I mean, we get it. You didn't like it. But I've read all over the internet from folks like you who are trying to slam the "metaphors" of Snowpiercer instead of, oh, I don't know, taking it at face value.

Don't forget about the Patrick Ewing cameo (I guess because it was filmed near his alma mater). Oh, and the old lady crawling around on the ceiling fucked me up a lot more than the nurse with the shears.

Only if Jack doesn't have a gun.

LOVED that they name-dropped Lakenheath. That's where I graduated from. After watching, I'm curious, does Jack deserve a happy, ride-off-into-sunset ending? Considering all he's done to save everyone, I say yes.

Nice Spies Like Us reference, Squirrel.

It was nice to see her reaction to Jack and Audrey's conversation. It about broke her heart to see Jack actually show that kind of emotion.

"If Chloe dies, we riot."

I knew I was forgetting one.

Yeah, that soul patch was something to behold.

There were two "son of bitch"es by Jack and dammit by Erik all before the first commercial break. I don't think anymore showed up after that.

I see this going one of two ways two ways: Jack saves the day, kills Cheng, gets the girl, and rides off into the sunset with Heller's pardon in his hands. Or, well, not. Everything goes to shit, Audrey gets killed, Heller dies (the pardon goes bye-bye), and Jack winds up in the hands of the Russians.

He should play that one because he did a fine job in Returns. It's Singer who shit that particular bed.

"…where the antagonist and protagonist think at each other really hard."